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Tag: R.I.P. Tony Scott (1-2 of 2)

Tony Scott to be honored at private family-only ceremony this weekend in L.A.


Director-producer Tony Scott, who died of an apparent suicide on Sunday, will be honored privately this weekend in Los Angeles, his family announced Wednesday.

“Tony Scott will be honored at a private, family only ceremony this weekend in Los Angeles. The family will announce plans after Labor Day for a gathering to celebrate the life and work of Mr. Scott. Details will be forthcoming once they are formalized,” according to a statement released by the family’s publicist.

Officials say the Top Gun director, Ridley Scott’s brother, took his own life by jumping off a bridge in San Pedro, Calif.

Read more:
Tony Scott’s family denies reports he was suffering from brain cancer
Stars remember Tony Scott after his death
Tony Scott: Hollywood reacts to the filmmaker’s sudden passing

Was Tony Scott a good director? It depends on what your definition of good is

For years, Tony Scott was the top gun of adrenalized action flash. But was he a good filmmaker? With almost any other director, you might answer that question with a “yes” or a “no” or maybe a shrug of “eh.” But Scott, who took his own life on Sunday, was a special case. I was often ambivalent about him, but to his credit, he rarely invited a shrug. He directed some very big hits, and made famous and influential movies, but quite often the very qualities that excited audiences about his work — the propulsive, at times borderline preposterous popcorn-thriller storylines; the slice-and-dice editing and the images that somehow managed to glow with grit; the fireball violence, often glimpsed in smeary-techno telephoto shots; the way he had of making actors seem volatile and dynamic and, at the same time, lacking almost any subtext — were the same qualities that kept him locked outside the gates of critical respectability. A much simpler way to pose the Tony Scott Question is this: Was Top Gun a good movie? That’s a question that’s much richer than it sounds, and I can illustrate it by recalling my own critical relationship to that much-loved, much-mocked 1986 need-for-speed crowd-pleaser. READ FULL STORY

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