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Tag: Remakes (61-70 of 115)

Box office preview: 'The Lion King 3D' hopes to reign over 'Contagion,' 'Drive,' and 'Straw Dogs'

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I guess there’s a “Circle of Life” at the movies too!

This weekend, Disney’s technologically enhanced The Lion King 3D “Just Can’t Wait to be King” of the box office, as it’s being re-released for a limited two-week engagement. The film should “Be Prepared” for some light competition from Straw Dogs, Drive, and I Don’t Know How She Does It, but we’re sure Disney is saying “Hakuna Matata” about the newcomers. By the way, “Can You Feel the Love Tonight” that I’m expressing for The Lion King? That’s exactly the kind of nostalgia that should propel it into first place. But just how much will it earn? And how will other films do at the box office? Check out my full predictions below.  READ FULL STORY

Reboot planned for Patrick Swayze's surf-heist movie 'Point Break'

To paraphrase the end of the original Point Break: Turns out, he is coming back.

Of course, Patrick Swayze was too soon lost in real life, but when his adrenaline-junky bank-robber Bodhi disappeared at the end of 1991′s Point Break, it seemed to be for good. Not so. In Hollywood, there’s always a reboot around the corner.

Alcon Entertainment, best known for releasing The Blind Side and prepping a spin-off of Blade Runner, has announced plans to fast-track a remake of Point Break at Warner Bros.  READ FULL STORY

Disney's D23: Look behind the curtain at 'Oz: The Great and Powerful'

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Oz: The Great and Powerful isn’t just walking the yellow brick road — it’s walking a delicate line.

Playing off a beloved, classic movie is a dangerous game. On one hand, you’ve got a built-in audience who cares deeply about the original. On the other, those fans are even quicker to turn on you if they feel the new film doesn’t live up the one they’re so passionate about.

The teaser footage revealed at Disney’s D23 fan gathering begins “Before a house fell out of the sky… ” and it seems to mirror 1939’s The Wizard of Oz in multiple ways, not the least of which is the apparent use of grainy black-and-white film stock for the bookending “real world” scenes of James Franco’s young would-be wizard.

Sam Raimi’s movie, which started shooting in soundstages in Detroit on July 21, and is aiming for a March 2013 debut, is clearly trying to draw on fond memories of Judy Garland’s film version of Frank L. Baum’s fantasy story, while also trying to leapfrog it with a prequel story.

“While there have been movies and stage plays based on the series, one story has been left untold,” Sean Bailey, Disney’s head of production, told the crowd. “Who is the wizard and where did he come from?”

Or as Franco paradoxically put it: “We’re stepping into a great tradition, but a tradition that isn’t fully established yet.”

While the images and footage haven’t been released, here’s what those of us at the presentation saw …

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Kenny Ortega set to direct 'Dirty Dancing' remake

If the song “(I’ve Had) The Time of My Life” makes you want to twirl across a dance floor, and you know where the line “Nobody puts Baby in a corner” comes from, this news is bound to stir up all kinds of emotions in you: Kenny Ortega has signed on to direct a big-screen remake of the 1987 hit Dirty Dancing. Ortega served as the choreographer on the original film, which starred Jennifer Grey as a wealthy 1960s teen who falls in love with a dance instructor (Patrick Swayze) while spending the summer at a Catskills resort.

Ortega — who most recently directed the documentary Michael Jackson’s This Is It – said in a statement, “The opportunity to direct Dirty Dancing is like returning home for me…. Patrick Swayze set the bar for men dancing in the movies as Gene Kelly and Fred Astaire did before him. I believe everywhere you look there is evidence that the talent is out there and I can’t wait to begin the process of discovering the next breakout triple-threats.”  READ FULL STORY

Box office report: 'Rise of the Planet of the Apes' dominates with $54 million; 'The Change-Up' weak

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Now here’s some monkey business that everyone in Hollywood will take seriously! Rise of the Planet of the Apes conquered the box office with a tremendous $54 million in its debut weekend. The $90 million Fox reboot/prequel exceeded all expectations and churned out the fifth-best August opening of all time. And it did it all without any of that pesky 3D!

Rise of the Planet of the Apes played primarily to an older male crowd. READ FULL STORY

Box office update: 'Rise of the Planet of the Apes' thrashes expectations, earns $19.8 million on Friday

(UPDATE: ‘Rise of the Planet of the Apes’ dominates weekend box office with $54 million)

Audiences went ape for Rise of the Planet of the Apes at the box office on Friday, pushing the film into the top spot by a wide margin. According to estimates, Rise earned a terrific $19.8 million on opening day, and if it can keep up that kind of momentum, it could be looking at a $55 million weekend.

After it earned a so-so $1.25 million at midnight showings, some prognosticators assumed that Apes was headed for an underwhelming weekend gross, but clearly that’s not going to happen. READ FULL STORY

First Look: Lily Collins as the fairy-tale princess in 'Snow White' -- EXCLUSIVE

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Presenting… the fairest of them all! “I keep saying to everyone I feel like I’m walking into a snow globe, a fairy tale, every single day,” says Lily Collins, star of Relativity Media’s as yet untitled Snow White, which co-stars Julia Roberts as the Evil Queen. “It’s so epic. I was part of a costume ball today, so you can only imagine the outfits.”

The movie, out March 16, is directed by Tarsem Singh (The Fall, the upcoming Immortals) and promises a world as surreal as anything dreamed up by the Brothers Grimm. Click through for more details… READ FULL STORY

Sam Raimi and Bruce Campbell gear up for 'Evil Dead' remake

The Necronomicon is about to be cracked open again. Thirty years after bursting onto the scene with their grisly horror film The Evil Dead, Sam Raimi and Bruce Campbell — along with co-producer Robert Tapert — have announced they’re finally embarking on a long-discussed remake of the cult classic. The 1981 movie, which Raimi directed and Campbell starred in, fused gruesome, over-the-top gore with dark, often slapsticky humor in the story of five college students vacationing in an isolated cabin in the woods who find an ancient Book of the Dead and accidentally summon forth evil demons. Made on a shoestring budget, the film was followed by two sequels, 1987′s Evil Dead II and 1992′s Army of Darkness, and even spawned a stage musical version. Raimi, Campbell, and Tapert will produce the remake and have brought on newcomer Fede Alvarez to direct it on the strength of a short film he made called Panic Attack; Alvarez wrote the script with Rodo Sayagues, and Diablo Cody, who won a Best Original Screenplay Oscar for Juno and wrote the horror comedy Jennifer’s Body, is revising their draft.  READ FULL STORY

Joel Edgerton talks 'The Great Gatsby': 'Tom Buchanan is a complicated fellow'

Joel Edgerton (Animal Kingdom) is currently in Paris to promote his new film Warriorthe action-packed tearjerking tale co-starring Tom Hardy, written and directed by Gavin O’Connor (Miracle), about estranged brothers who must face each other in a mixed martial arts championship. (It hits theaters Sept. 9.) But EW was also able to ask the 37-year-old actor about his next role: that of Tom Buchanan in the highly anticipated Baz Luhrmann adaptation of F. Scott Fitzgerald’s The Great Gatsby.

“I can’t wait,” says Edgerton. READ FULL STORY

Shooting underway! 'Snow White' filmmaker explains what makes Julia Roberts so evil

The Pretty Woman has turned into a wicked one.

Production began Monday in Montreal on the first movie in Hollywood’s Great Snow White Derby ’11, Relativity Media’s comedy-fantasy starring Julia Roberts as the Evil Queen, Armie Hammer as the prince, and Lily Collins as the apple-biting heroine.

A rival movie, Snow White and the Huntsman, starring Kristen Stewart, Thor‘s Chris Hemsworth and Charlize Theron as the queen, begins shooting later this year, and each film has been shifting release dates in a bid to debut first. (Roberts’ movie was originally slated for next summer, and Theron’s movie was heading for the following holidays, until the Theron picture’s producers announced it would come out June 1, 2012, which led the Roberts version to leap ahead to March 16, 2012.)

During pre-production, Tarsem Singh (the surrealist director of The Cell, The Fall and the upcoming mythological action-adventure The Immortals) shared details of the Julia Roberts version with EW.

Below, read why he chose America’s Sweetheart to play a monster, how fiery the rivalry is getting with the other movie, and why dwarfs make life “difficult”:

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