I can testify that when you go to a film festival, and someone inquires about how the movies were that year, the answer you end up giving — “Really terrific!” “Lousy!” “They were okay!” — is often dictated by exactly one movie. If you saw something that totally knocked you out, the sort of film that you think is going to get major play in the real world, and you’re already dusting off a place on your 10 Best list for it, then that one movie can determine your entire perception of the festival. That’s what happened to me last year at Sundance when I saw Fruitvale (they hadn’t added the Station yet). The fact that you’ve witnessed a certified home run makes the festival feel to you, in hindsight, like…well, a baseball game in which your team hit a home run. It’s more than a good movie; it’s why you came — to see an unheralded filmmaker knock one out of the park. A single movie that rocks your world can define, year in and year out, the Sundance experience — the reason that a festival like this one exists. Some of the films I’ve seen at Sundance that have had that effect include Crumb (1995), Welcome to the Dollhouse (1995), I Shot Andy Warhol (1996), Buffalo 66 (1998), The Blair Witch Project (1999), Chuck & Buck (2000), Wet Hot American Summer (2001), American Splendor (2003), Capturing the Friedmans (2003), Thirteen (2003), Hustle & Flow (2005), Precious (2009), and Fruitvale (2013). READ FULL STORY
Tag: Roadside Attractions (1-2 of 2)
To be, or not to be … Joss Whedon.
The Avengers writer-director’s film adaptation of the comedic Shakespeare classic Much Ado About Nothing has been slated for a June 7, 2013 joint theatrical release by Lionsgate and Roadside Attractions, according to a press release Thursday.
The contemporary take on the play stars Whedon alums Amy Acker, Alexis Denisof and Nathan Fillion, plus Fran Kranz, Jillian Morgese, Sean Maher, Clark Gregg, and Reed Diamond. Whedon and his wife Kai Cole produced the film through their studio Bellwether films, with Daniel Kaminsky as a co-producer, according to the release.
The movie, about bickering lovers Beatrice (Acker) and Benedick (Denisof), was filmed in only 12 days. Any loyal fan of Acker and Denisof in Whedon’s Buffy spinoff Angel, or Fillion in Whedon’s sci-fi western show Firefly, will appreciate the stars’ performances in Much Ado.
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