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Tag: Steven Spielberg (61-70 of 109)

'The Shark is Still Working': The story behind the great doc on the new 'Jaws' Blu-ray -- EXCLUSIVE VIDEO

jaws

J. Michael Roddy was only six years old in the summer of 1975, but like the rest of the country, he developed shark fever after seeing Steven Spielberg’s Jaws. “There are two things that are really cool to a six year old boy, and that’s dinosaurs and sharks,” says Roddy. “I begged my parents to let me see Jaws, and it was the first time I remember being completely lost in a film. It changed my life.”

Roddy isn’t alone. Jaws changed a lot of people’s lives, beginning with the then 28-year-old Spielberg himself. But in The Shark is Still Working, the splendid Jaws documentary that Roddy produced that’s a bonus on the remastered Blu-ray version of the film available next week, a generation of filmmakers who shared Roddy’s fascination — including Kevin Smith, M. Night Shyamalan, and Bryan Singer — delight in the nerdy details and lasting legacy of Hollywood’s first summer blockbuster. “The intensity of the passion is what surprised me,” says Roddy. “Because it made us feel like, ‘Okay we’re not crazy. Everyone loves that film.'”

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FIRST LOOK: Daniel Day-Lewis embodies 'Lincoln' in Steven Spielberg's historical drama

Penny for your thoughts?

Long-range paparazzi (and the occasional sneaky fellow diner) grabbed snapshots of Daniel Day-Lewis as he was shooting Steven Spielberg’s Lincoln last fall.

But in this exclusive new image from the upcoming historical drama (out Nov. 9), we finally see the My Left Foot and There Will Be Blood Oscar-winner in full character, and the result is even more uncanny than originally expected.

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Steven Spielberg's 'Lincoln' to face down James Bond, Tolstoy and 'Twilight'

Jeff Vespa/WireImage; Alexander Gardner/Getty Images

Abe, meet James and Anna. Oh, and also Bella and Edward.

Lincoln, Steven Spielberg’s epic Civil War-era presidential portrait, will open in limited release on Nov. 9, the same weekend as Skyfall, Daniel Craig’s third outing as James Bond, and Anna Karenina, starring Keira Knightley as Tolstoy’s tragic heroine.

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Richard D. Zanuck, producer of 'Jaws,' 'Alice in Wonderland,' dies at 77

Oscar-winning film producer Richard D. Zanuck — who, over a 53-year career, marshaled everything from mass-market popcorn movies like Jaws and Planet of the Apes, to prestige pictures like Driving Miss Daisy and Road to Perdition — died Friday, of a heart attack. He was 77.

Zanuck was born into Hollywood royalty; his father Darryl F. Zanuck ran 20th Century Fox, and the younger Zanuck was named president of production at the studio when he was 28. In 1971, he formed the Zanuck/Brown Co. with David Brown (who passed away in 2010), where he produced Steven Spielberg’s first two films, The Sugarland Express and Jaws, as well as The Verdict and CocoonREAD FULL STORY

Steven Spielberg on Ray Bradbury: 'He was my muse'

The loss of Ray Bradbury, who passed away on Monday at the age of 91, leaves an enormous void in the world of science fiction. His works, which included Fahrenheit 451 and The Martian Chronicles, influenced generations of readers who became fans who became epic storytellers themselves. Epic storytellers — like Steven Spielberg. The director of films like Close Encounters of the Third Kind and E.T., honored the author with a statement on Wednesday: “He was my muse for the better part of my sci-fi career. He lives on through his legion of fans. In the world of science fiction and fantasy and imagination he is immortal.”

Spielberg and Bradbury were kindred spirits who saw hope in the future and deep space. Back in 2003, Bradbury told the Newark Star Ledger that, “Close Encounters is the best film of its kind ever made. It takes too long, but the transfiguration at the end, with the splendid arrival of the mother ship — that makes up for everything. I was so amazed and changed when I saw it that I went over to the studio to tell Spielberg what a genius he was. And he said, ‘You know, I never would have done this film if I hadn’t seen [your] It Came From Outer Space when I was a kid.”

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Ray Bradbury, ‘Fahrenheit 451′ author, dead at 91

Kathleen Kennedy to co-chair Lucasfilm as George Lucas 'moves forward with retirement'

Turns out George Lucas wasn’t bluffing with all that talk about retiring. Lucasfilm Ltd. announced today that Steven Spielberg’s longtime producing partner Kathleen Kennedy is joining the production company as co-chair. Lucas will retain his position as CEO but Kennedy’s new role will allow him to “move forward with his retirement plans,” according to a press release.

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Steven Spielberg's 'E.T.' coming to Blu-ray, and it's walkie-talkie free! -- VIDEO

For many, E.T.: The Extra-Terrestrial remains Steven Spielberg’s most indelible film, holding a special spot in moviegoers’ hearts. (I know it does for me.) But when the movie was re-released in theaters in 2002 to celebrate its 20th anniversary, Spielberg tried to fix something that was not broken and “updated” the movie’s visual effects. He gave E.T.’s face a CG makeover, added back in a couple deleted scenes, and — most controversially — switched out the rifles held by police officers chasing down Elliott and his bicycle buddies with walkie-talkies.

Fans cried foul. South Park mocked the decision. Last year, Spielberg himself even admitted he regretted making the changes, vowing that the Blu-ray release would just be the 1982 theatrical version of the film.

And by gum, it’s exactly that. As you’ll see in the trailer for the 30th-anniversary Blu-ray edition of the film, out this October, those walkie-talkies are no more:  READ FULL STORY

Spielberg's 'Jaws' heads to Blu-ray for first time in digitally restored and remastered edition -- EXCLUSIVE

JAWS-REMASTERED

Though it’s credited as giving birth to the modern summer movie blockbuster, for the last 15 years Jaws has been as much a staple of basic cable programming as Law & Order re-runs. Many have only seen the shark-infested thriller chopped and cropped for television, but soon they’ll get a chance to rectify that grave miscarriage of cinematic justice.

To commemorate the studio’s 100th anniversary, on Aug. 14, 2012, Universal is releasing a digitally remastered and restored Jawon Blu-ray, with a brand new 7.1 surround sound mix and four hours of special features. Director Steven Spielberg worked with Universal’s in-house archives and restoration services on the new print, starting with the original negative of the film — which Spielberg calls “pretty crummy” in a featurette on the Blu-ray. You can watch that special on the restoration below, along with exclusive before and after shots from the film that show just how painstaking the visual renovation was. Check it out:  READ FULL STORY

Peter Jackson going straight from directing 'The Hobbit' to 'Tintin 2'

Look alive, Tintin lovers! You won’t have too long(ish) of a wait for the The Adventures of Tintin 2. Peter Jackson’s Tintin co-producer Steven Spielberg tells Total Film that Jackson will not take a break between the two Hobbit films — which are being produced simultaneously — and the as-yet-untitled sequel. “We made a deal,” said Spielberg. “I said, ‘I’ll direct the first one, you direct the second one.’ Peter, of course, is going to do it right after he finishes photography on The Hobbit. He’ll go right into the…performance capture.”  READ FULL STORY

Sundance 2012: Joseph Gordon-Levitt talks Sundance, Hit RECord, and being Abe Lincoln's son

Actor, troubadour, and new-media independent-film trailblazer, Joseph Gordon-Levitt owned every foot of Park City’s Eccles Theater last night, though at times it seemed his feet never touched the stage. Hit RECord at the Movies, a variety show of sorts featuring short films from Gordon-Levitt’s open-collaborative production company, a reading of Mark Twain’s Tom Sawyer from Parker Posey and Brady Corbet (Sundance entry Simon Killer), and the (500) Days of Summer star joking and singing, encouraged plenty of fan-interaction. Gordon-Levitt invited tweeters onstage to debate the meaning of “independence,” and before he even appeared, a voice echoed throughout the theater reminding everyone to turn ON their recording devices. They did, capturing every moment of the 90-minute performance from hundreds of perspectives. Many of those recordings have already been uploaded to the Hit RECord website, where they might become part of the company’s next unique project.

Before leaving on a jet plane back home, Gordon-Levitt sat down with Entertainment Weekly to discuss the modern independent film spirit, his plans for Hit RECord, and working with Daniel Day-Lewis.

ENTERTAINMENT WEEKLY: You practically bounced on stage last night when you came out, you were so excited. Did the show have a different vibe than previous shows because it was Sundance?
JOSEPH GORDON-LEVITT: It felt like a triumphant return. Our first show ever was for 99 people back in 2010. We were in the New Frontier section, and we set up this headquarters, a sort of rec room where we were making things throughout the entire festival and then screened what we had made for this theatre with 100 seats. Sundance really was the perfect place to launch the production company. I definitely take a lot of inspiration for what I want to do with Hit RECord from what Mr. Redford has done with Sundance. I mean, look, when he started Sundance, he was like the biggest star in Hollywood and I’m certainly nothing like that. But when you have some success as an actor, you’re given a certain amount of opportunity and I so admire what he did with the opportunity that he had. He could have easily gone and just lived on a yacht or whatever, but he chose to put a lot of himself into creating this community that fostered independent film. I just admire that so much. It grew organically. It was not something that he put together with the help of Hollywood structures; that’s why he wanted to come out to Utah. Their prime interest wasn’t to make money. Their prime interest was to make movies that they felt. READ FULL STORY

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