Tag: Sundance Film Festival (91-100 of 338)

Jan 11 2013 01:28 PM ET

Sundance says 'no truth' to Brooklyn rumors

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Image Credit: Jemal Countess/Getty Images

The Sundance Institute denied a New York Post report that the prestigious independent arts foundation was in “very early conversations” to create a festival-style event in Brooklyn. The Institute — which hosts the annual Sundance Film Festival in Park City, Utah and several screenings series around the globe, including Brooklyn since 2006 — was reportedly looking at DUMBO neighborhood real estate for a potential new home across the river from Robert De Niro’s Tribeca Film Festival digs.

But a spokesperson shot down the report, saying in an email, “There is no truth to rumors of plans for Sundance Institute to host a film festival in Brooklyn in the immediate future. Our current programming includes events in many regions across the country and internationally, and we continue to seek new opportunities. For now, we are focused on the lead up to our 2013 Sundance Film Festival, which kicks off Jan. 17.”

Read more:
Joseph Gordon-Levitt to host Sundance Film Festival Awards Ceremony
Ed Burns, Tom Rothman headline Sundance Film Festival juries
Sundance: Dermot Mulroney’s Midnight “Rambler’

Jan 11 2013 09:00 AM ET

Sundance 2013: Isaiah Washington dances with the devil in 'Blue Caprice' -- EXCLUSIVE POSTER

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Image Credit: Paul Laurens

In Hollywood, it can often be a savvy career move for an actor to break bad. After all, the villains get to have all the fun, with supersize personae that toss out witty retorts slathered with evil relish. But there’s a difference between dastardly baddies like Calvin Candie or Silva and John Allen Muhammad, the real-life Beltway Sniper who terrorized suburban Washington, D.C., a year after 9/11, murdering at least 10 random people with the assistance of his young disciple, Lee Malvo. Their crimes were ruthless and indiscriminate, and after they were caught, convicted — and Muhammad was executed — the explanations only made their actions more horrific. This wasn’t a man who wanted redemption, and to play him on screen demanded a selfless surrender to a blanket of darkness.

Enter Isaiah Washington, most famous — and infamous — for playing Dr. Burke on Grey’s Anatomy. Since exiting the show in 2007 following some crude ill-conceived comments, he encountered what almost seemed like professional purgatory. “I’ve been in a world that is so far from Los Angeles that it’ll blow your socks off,” he says. But in Blue Caprice, which premieres at next week’s Sundance Film Festival on Jan. 19, Washington returns and resurrects the cold-blooded menace that he once demonstrated in Out of Sight, Steven Soderbergh’s 1998 jailbreak thriller in which he played Don Cheadle’s demented right-hand hatchet-man. His Muhammad, however, is much more nuanced and thus more unsettling. Informally adopting and manipulating the impressionable Malvo (Everybody Hates Chris‘ Tequan Richmond), Washington’s character’s boiling frustration cultivates a young killer who will do anything to please his “father.”

Below, in addition to an exclusive look at the film’s poster, the 49-year-old actor explains the challenge — and personal risk — of playing such a diabolical character.

What was your initial reaction when you were asked to play John Allen Muhammed?
I’ll be honest, it scared the bejesus out of me. But I wasn’t looking for it. The last thing I was looking for was Blue Caprice. They found me on Facebook. And through a stroke of luck and serendipity I happened to check my Facebook email and saw a last kind of reach-out email with a personal letter from Alexandre Moors insisting that they didn’t want to call anyone else but me to offer this role. And I didn’t know what they heck they were talking about. So I picked up the phone and called, and they said, “We’ve been trying to find you for a month. We have a script based on what we think led up to the attacks of the D.C. sniper attacks in 2002.” I went, “No. Oh no.” [Laughs] I don’t think so. READ FULL STORY »

Jan 11 2013 08:30 AM ET

Sundance 2013: Kristen Bell on 'The Lifeguard' and working while pregnant - EXCLUSIVE PHOTO

The-Lifeguard

Image Credit: John B. Peters

Kristen Bell may be petite in person, but she packs a mighty wallop on screen, both as an acerbic comedic actress whose words can sweetly cut you, and as just a smart gal a lot of girls, and women, can look up to.

In The Lifeguard, premiering at this year’s Sundance Film Festival in the U.S. Dramatic Competition category, Bell takes a darker turn, playing a woman who quits her reporter job in New York and returns to where she grew up in Connecticut, taking a job as a lifeguard and falling into a dangerous relationship with a teenager. Check out this exclusive image of Bell, above, from the film. If her sullen expression is any indication, she’s settled into the doldrums, a purgatory stage of life with hints of The Graduate.

The star of TV’s Veronica Mars and now Showtime’s House of Lies chatted with EW about her great chemistry with The Lifeguard‘s first-time feature film director Liz W. Garcia, what it’s like filming House of Lies while pregnant (she’s due in the spring), and her reign as Gossip Girl‘s saucy narrator coming to an end with the conclusion of the six-season series. R.I.P!

ENTERTAINMENT WEEKLY: Describe your role in The Lifeguard and working with Liz Garcia. The premise seems to have certain similarities to The Graduate, in terms of someone trying to find themselves, albeit with darker consequences.
KRISTEN BELL: I had been looking for something that I felt spoke to me of someone going through a metamorphosis. I find change so interesting. I love Liz’s writing. She wrote this phenomenal script, One Percent More Human, that was set up numerous times, and she had plans for that to be her directorial debut with Kristen Stewart and Evan Rachel Wood, and then she got pregnant. She ended up pushing it, so The Lifeguard was her first movie. She doesn’t steer away from sexuality, which most female writers do. There’s a tenderness, which makes it clear she’s a female writer. The idea of what do you do when you get stuck somewhere in your life is what appealed to me. READ FULL STORY »

Jan 9 2013 09:00 AM ET

Sundance 2013: Dermot Mulroney rambles into Midnight territory -- EXCLUSIVE POSTER

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When Dermot Mulroney last visited the Sundance Film Festival 13 years ago, he was co-starring in an Alan Rudolph film titled Trixie, opposite Emily Watson and Nick Nolte. “I think it was a little less commercial then,” says Mulroney, who returns to Park City, Utah, next week with a trio of films. One other thing that’s also changed since 2000: the “Park City at Midnight” showcase, which specializes in some truly bizarre, outside-the-box filmmaking. (Think last year’s Tim & Eric’s Billion Dollar Movie.) When night falls at Sundance, the cool-crazies come out, and Mulroney arrives this year with a potential doozy. The Rambler, a surreal Western based on a short that writer/director Calvin Lee Reeder screened at Sundance in 2008, seems almost perfectly engineered for a manic midnight crowd. Judging from Mulroney’s description, it might just be like a Cormac McCarthy story directed by Terry Gilliam. “It’s going to be nuts,” says the actor. “This movie will spin some heads, many of which might already be spinning at a midnight show.”

Mulroney, who also appears in the Nicole Kidman thriller Stoker and the festival-closing biopic about Steve Jobs starring Ashton Kutcher, checked in with EW to try and explain The Rambler and discuss his recent appearance on Saturday Night Live.

ENTERTAINMENT WEEKLY: Looking at the lineup up films for the festival, you might be a frontrunner for Mr. Sundance 2013. You have three films screening, yes?
DERMOT MULRONEY: I do. I have a small role in Stoker. I appear as the Rambler in The Rambler, and also a role in jOBS, which closes the festival. I can’t wait to see The Rambler with an audience. It’s a very unique film, let’s say. READ FULL STORY »

Jan 7 2013 10:50 AM ET

Sundance 2013: Female directors poised to make their mark at indie festival

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Image Credit: Eliza Truitt

Cannes, take note.

Call it feminist, call it a full shift in the zeitgeist, call it the seeds of a movie industry revolution, but the Sundance Film Festival has shoved Hollywood into the 21st century when it comes to the inclusion of women filmmakers.

Last May, the Cannes Film Festival’s competitive Palme D’Or line-up sparked controversy over its dearth of female directors. This year’s annual Sundance fest in Park City, Utah, which runs from Jan. 17-27, for the very first time features an equal number of male and female directors in its 16-film U.S. Dramatic Competition category, ranging from Lynn Shelton’s Touchy Feely, starring Rosemarie DeWitt (pictured in the exclusive photo above), to Liz Garcia’s The Lifeguard, featuring Kristen Bell, Francesca Gregorini’s Emanuel and the Truth About Fishes, starring Jessica Biel, Jerusha Hess’s Austenland with Keri Russell, Lake Bell’s In a World, also starring the actress-director, and Stacie Passon’s Concussion.

EW connected with Shelton, Garcia, Gregorini, Hess, Passon, and Bell, as well as actresses Casey Wilson and June Diane Raphael, who co-wrote the saucy Sundance Midnight screening selection Ass Backwards, and Richard E. Robbins, who directed the CNN Films documentary Girl Rising, which will have scenes shown at Sundance. Absolute joy and excitement resonated through phone and email conversations with the filmmakers, who touted the bright future for women directors — Kathryn Bigelow’s name may be the biggest out there these days, but many more are on the horizon.
READ FULL STORY »

Jan 4 2013 01:30 PM ET

Joseph Gordon-Levitt to host Sundance Film Festival Awards Ceremony

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Image Credit: Jason Merritt/Getty Images

Joseph Gordon-Levitt is set to host the 2013 Sundance Film Festival Awards Ceremony.

The Looper star, who made his directing debut at the 2009 Festival with the short film Sparks, will take the stage on Jan. 26 in Park City to headline the feature film ceremony (the prizes for short films will be distributed at a separate event). The entire ceremony will be live-streamed on the Sundance website.

“Joseph Gordon-Levitt’s accomplished and original artistic perspectives have contributed greatly to Sundance Institute and the independent film community,” John Cooper, Director of the Sundance Film Festival, said in a statement. “As host, he is sure to add flair to our Awards Ceremony in similarly exciting ways, and we are thrilled that he will join us in recognizing outstanding achievements at this year’s Festival.”

The Sundance Film Festival runs from Jan. 17 through Jan. 27 in Utah.

Read more:
Joseph Gordon-Levitt: 2012 Entertainers of the Year
Will Joseph Gordon-Levitt play Batman in ‘Justice League’ and ‘Man of Steel’? Well…
Joseph Gordon-Levitt on ‘The Tiny Book of Tiny Stories: Volume 2′ and running around in a cape

Dec 21 2012 09:00 AM ET

'Arbitrage' Blu-ray: Richard Gere 'did something special' says director Nicholas Jarecki -- EXCLUSIVE VIDEO

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Image Credit: Myles Aronowitz

It really can’t be true, can it? Richard Gere has never been nominated for an Oscar? Really? Let’s check again. For Chicago, surely. Nope. Officer and a Gentleman? Nope. Unfaithful, The Hoax, Primal Fear? Eh-eh. Damn… Dude’s due.

With Arbitrage, Gere might finally land that elusive nomination. In the Sundance hit from first-time writer/director Nicholas Jarecki, Gere plays a Bernie Madoff type who needs to unload his financial company before Wall Street figures out he’s short $412 million. It’s a subtle, daring performance, but also one that reminds you how consistently remarkable the 63-year-old has been for more than 35 years, since catching Diane Keaton’s eye in Looking for Mr. Goodbar.

With Arbitrage out on DVD, Blu-ray, and digital download today, the 33-year-old Jarecki checked in to discuss the New York he knows and loves, how he connected with his Madoff-like anti-hero, and why it’s time for Gere to finally hear his name called by Oscar.

ENTERTAINMENT WEEKLY: Watching Arbitrage gave me the same feeling that I have when I read a Richard Price novel.
NICHOLAS JARECKI: That’s a hell of a compliment. You know, I almost never listen to books on tape, but I think while I was writing it, I may have driven to Sundance with Lush Life playing. Bobby Cannavale read it. READ FULL STORY »

Dec 19 2012 03:35 PM ET

Ed Burns, Tom Rothman headline Sundance Film Festival juries

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Image Credit: Everett Collection

Ed Burns, whose debut film The Brothers McMullen premiered at the 1995 Sundance Film Festival, was announced today as a jury member for next month’s Sundance in Park City, Utah. Burns joins documentary filmmaker Davis Guggenheim, executive Tom Rothman and 16 others named to five juries that will award prizes at independent film’s most high-profile showcase.

Short Film Awards will be announced at a ceremony on Jan. 22, with feature film awards announced at a separate ceremony on Jan. 26. The festival runs this year from Jan. 17-27.

Click below for the entire Sundance jury list: READ FULL STORY »

Dec 18 2012 05:05 PM ET

Check out an image from 'We Are What We Are' remake -- EXCLUSIVE

Director Jim Mickle made a splash with his 2010 vampire-apocalypse movie Stake Land and his follow-up film, an English language remake of the acclaimed Mexican chiller We Are What We Are, is set to premiere at Sundance next year. To say too much about the original movie would be to slightly spoil both that and, presumably, Mickle’s version, which stars Julia Garner (Martha Marcy May Marlene), Ambyr Childers (The Master), Bill Sage (Nurse Jackie), Kelly McGillis, and newcomer Jack Gore. So, to be safe, we’ll just parrot the remake’s official plot synopsis and say that it concerns “an introverted family struggling to keep their macabre traditions alive, giving us something we can really sink our teeth into.”

We can, however, show you an exclusive photo of Gore from the new movie. Check it out and tell us what you think. (And those who don’t mind their ghoulish fun being spoiled a little should feel free to take a look at the trailer to the Mexican original.)

READ FULL STORY »

Dec 13 2012 06:38 PM ET

Sundance 2013: 4 feature films added to festival slate

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Image Credit: Everett Collection

With Golden Globe nominations finally out, the Sundance Film Festival is revealing more of its 2013 slate, including four more feature films announced Thursday: 1993 Robert Rodriguez favorite El Mariachi for the From the Collection screening, new music documentary Muscle Shoals, Michael Cera-starring Magic Magic in the Midnight movie section, and Los Angeles-based Wrong Cops as part of New Frontier designated films.

“With the addition of these four films, the 2013 Sundance Film Festival will present an even more well rounded program of independent films. Each adds to the festival in exciting, challenging and entertaining ways,” said the festival’s director John Cooper in a statement. The fest runs Jan. 17-27 in Park City, Utah, with the tally of feature-length films being presented now at 119, with 103 of them world premieres, and 27 in competition.

Here’s a quick look at the added movies, taken directly from Sundance’s own descriptions. The Sundance Collection at UCLA (The Collection), showcasing El Mariachi, is a film preservation program established in 1997 dedicated to movies supported by the Sundance Institute:

READ FULL STORY »

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