For fans who hadn’t read the comics, the big gut-wrenching surprise at the end of The Amazing Spider-Man 2 was the death of Gwen Stacy (Emma Stone), but the filmmakers originally had second shocker planned after that one.
Tag: The Amazing Spider-Man 2 (1-10 of 32)
It probably had little impact on whether you liked The Amazing Spider-Man 2, but some fans were disappointed when the film’s end credits were not punctuated by the teaser that’s become expected from all the Marvel superhero franchises. At the end of director Marc Webb’s first Spider-Man movie, a mysterious figure confronts the imprisoned Dr. Curt Connors and asks, “Did you tell the boy the truth about his father?” But for the sequel, fans were left with a somewhat random promotional clip for Fox’s most recent X-Men movie.
Since then, the internet has speculated that Webb initially intended to include another teaser scene with the mysterious, gravelly-voiced shadow — whom we now know is Gustav Fiers — based on a Sony photo that seems to contain Norman Osborn’s severed but preserved head. Combine that with Webb’s decision to postpone scenes and certain character developments until the third film, and you have an inordinate amount of interest in the deleted scenes that might be included on the Blu-ray release of The Amazing Spider-Man 2.
EW can announce that Spider-Man 2 is available on Digital HD on Aug. 5 before arriving on Blu-ray and DVD on Aug. 19 — and the release might have something juicy. According to the set’s description, one of the 13 deleted scenes on the Blu-ray is titled “Peter Meets His Father.” Are we foolish to think this could be something more than another flashback, a dream sequence, or another iChat video message? Might Richard Parker (Campbell Scott) actually be alive? Maybe there’s a bookend to that first Spider-Man post-credit teaser: “Did you tell the boy the truth about his father?”
Click below for all the Blu-ray and DVD extras: READ FULL STORY
The mutants might be fighting for their lives in X-Men: Days of Future Past, but everything is smooth-sailing for the explosive, star-studded saga at the box office.
Professor X (old and young) and his friends helped usher in a mighty $111 million domestically for X-Men’s first four days in theaters. It now ranks fifth among the top Memorial Day weekend openings of all time, behind last year’s Fast & Furious 6 ($117 million) and 2006’s X-Men: The Last Stand ($122.9 million). The $200 million pic also opened day and date in most major markets internationally to a cool $171.1 million. Technically the seventh installment in the long-running franchise, this super debut bodes well for X-Men: Apocalypse, set to open on the same spot on the calendar in 2016.
Get ready for lots of monster puns and destruction jokes: Godzilla had a clear path to box office domination this weekend. After setting a new record for best opening day on Friday with $38.5 million, the King of the Monsters handily won the weekend with an estimated $93.2 million.
The reported $160 million film — directed by Gareth Edwards and starring Bryan Cranston, Aaron Taylor-Johnson, Ken Watanabe, and a couple of MUTOs (Massive Unidentified Terrestrial Organisms) — got a B+ Cinema Score, though critical reception has been decidedly mixed (EW’s Chris Nashawaty gave it a B-; you can read his review here). IMAX grosses were responsible for $14.1 million of Godzilla‘s total haul, which means when people want to see giant lizard-y monsters wreck a city, they want to see it big. (Side note: Another peripheral winner thanks to Godzilla? New York City, which — for once — is not the scene for urban destruction. Thanks for taking your turn, San Francisco!)
Coming in second place is the frat-tastic Neighbors, which — even with a 47 percent dip for its second weekend — grossed $26 million this weekend, bringing its total to $91.53 million (not to mention the $54.8 million overseas, bringing its global total to $146.3 million). Not bad for an R-rated comedy with an estimated $18 million budget. The movie — starring Seth Rogen, Rose Byrne, Zac Efron, and Dave Franco — has now officially bypassed other recent comedies such as 21 Jump Street and The Heat. To-ga! READ FULL STORY
The King of the Monsters took the box office crown on Friday. Godzilla, starring Bryan Cranston, Aaron Taylor-Johnson, and a few enormous radioactive monsters, earned an estimated $38.5 million in theaters on its first day in theaters — the best opening day yet for 2014. (Captain America: The Winter Soldier opened with $36.9 million last month, while The Amazing Spider-Man 2 took in $35.2 on its first day two weeks ago.) That puts the film on track for an opening-weekend total around $97 million. Directed by Gareth Edwards (Monsters), Godzilla reportedly cost $160 million — an amount it should easily make back in the coming weeks. The last U.S.-made Godzilla movie was Roland Emmerich’s 1998 version, a notorious misfire that cost $130 million and grossed just $136.3 million domestically. READ FULL STORY
The King of the Monsters prepares to be the King of the Box Office, as Warner Bros. and Legendary’s Godzilla stomps into theaters this weekend.
As one of cinema’s most beloved icons, this new take from indie director Gareth Edwards promises a terrifying origin story for the ancient beast and a drama about one particularly unlucky family. Sixteen years after Sony and Roland Emmerich’s botched attempt to kick off an exciting Godzilla franchise, it remains to be seen whether audiences are interested in the atomic-breathed monster and how well it might stand up to the army of summer superheroes.
Disney’s PG-rated sports drama Million Dollar Arm, starring Jon Hamm, also opens wide this weekend. Though it won’t be competing for the top spot — or anywhere close to that — it will be interesting to see whether a sincere, and somewhat sugary, sports pic will appeal to audiences in the long term as 42 managed to do last spring.
Here’s how things might play out: READ FULL STORY
When the Sony Pictures Imageworks special-effects team got the screenplay for The Amazing Spider-Man 2, they quickly realized that with great box-office comes even greater responsibility for technical wizardry. The scope of the sequel was much bigger than Marc Webb’s 2012 reboot, and in contrast to the numerous night action sequences that dominated the first film, the new movie would extensively showcase Spider-Man slinging through New York in broad daylight, an entirely new set of creative challenges. “For some of the shots of Spider-Man swinging through the city [in sunlight], the computer could take 40 hours to render one frame of the city of New York,” says Jerome Chen, the film’s visual-effects supervisor. “And there’s 24 frames for one second.”
New York, it turns out, might be the most high-maintenance character in the entire Spider-Man franchise — mostly because it has to be entirely digitally re-created. Times Square, which hosts the first big smackdown between Spider-Man and Electro, took a team of more than 50 artists an entire year to build (and that’s not counting the characters’ effects work in that scene). “I told the team, ‘You’re going to be working on this thing for a whole year, it’s going to be really, really hard, and if you do it right, nobody will know that you did it,'” says Chen. “And they were into that.” READ FULL STORY
'Amazing Spider-Man 2' director Marc Webb on Gwen Stacy's fate in sequel: 'There's a cost to being a hero'
Warning: If you haven’t yet seen The Amazing Spider-Man 2, then you should absolutely stop reading right now.
The Amazing Spider-Man 2 (B+ Cinema Score) came out of the gates swinging and earned an estimated $92 million over the weekend. Playing in 4,324 locations, this is a solid domestic debut for the Sony sequel starring Andrew Garfield as the nimble superhero, which boasted a $21K per-theater average. IMAX showings accounted for $9.3 million of the opening cume from 353 screens.
Overall, reviews have been mixed for the Marc Webb reboot (54 percent on Rotten Tomatoes), especially when compared with Sam Raimi’s second entry in the Spideyverse (94 percent). But, fans don’t seem to mind. Opening weekend audiences gave the film a B+ Cinema Score overall and an A- from the under-25 crowd. Families indeed turned out to see how Peter Parker would fare against all those villains, making up 33 percent of the audience. According to Friday exit sampling of general moviegoers, 61 percent of the audience was male and about 51 percent was under 25.
Many weekend projections (including our own) surmised that the pic would beat, or match, Captain America: The Winter Soldier, 2014’s highest opener to date ($95 million in early April) but, according to initial estimates, that doesn’t seem to be the case. Still, Sony is feeling good. Internationally, The Amazing Spider-Man 2 grossed an estimated $116 million in its third weekend, bringing the overseas total to a mighty $277 million.
“It’s a terrific start here in the U.S. and the world result is no less than stunning,” says Sony’s worldwide distribution exec Rory Bruer. “We had a record-breaking opening in India ($6.5 million, the best-ever for a Hollywood title) and Brazil ($10.5 million, or 76 percent higher than the first). We had fantastic results in France ($10.6 million) and we had a huge day in China ($10.4 million on Sunday). It’s popping and working everywhere in the world. We’re absolutely on track to not only meet our goals but to exceed them.”
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