Anarchy will roam the streets once again.
Tag: The Purge: Anarchy (1-5 of 5)
Render unto Caesar that which is Caesar’s… After a Friday night showdown that heavily tipped the scales in favor of the survival-horror thriller The Purge: Anarchy, Dawn of the Planet of the Apes came back strong this weekend to take the No. 1 spot at the box office.
The Apes sequel, starring motion-capture master Andy Serkis as the hyper-evolved higher primate named Caesar, collected $36 million for the weekend, according to Sunday estimates. Meanwhile, The Purge: Anarchy, a follow-up to last year’s nightmare-inducer about a 12-hour period when no crime is illegal, garnered only $28.3 million.
The Apes don’t have chest-beating rights in the Friday box office, having surrendered their Darwinistic dominance to the apex predators of The Purge: Anarchy after only one week at the top.
The acclaimed sequel (of a reboot to a remake) Dawn of the Planet of the Apes collected $10.4 million last night in a rather precipitous 62 percent plunge from its $27.6 million debut last Friday, ceding the No. 1 slot to the survival-horror sequel The Purge: Anarchy, which transformed mayhem and savagery in the streets into a $13 million debut.
Last weekend may have signaled a new Dawn for the Planet of the Apes franchise, as its latest film exceeded studio and analyst expectations with a $72.6 million debut. But Caesar and the gang face some formidable cross-genre competition this weekend, when Sex Tape, The Purge: Anarchy, and Planes: Fire & Rescue all hit theaters in wide release. With a steep drop-off expected for Apes and a lack of decent horror, family, and raunchy comedy fare on the market, all are tracking pretty similarly, making this summer weekend a rare box office wild card.
Here’s how things might play out:
John Carpenter was once among Hollywood’s most prolific filmmakers. But the man who brought us such genre classics as Halloween, The Thing, Escape From New York, and Assault on Precinct 13 has only made one movie in the past 13 years—2010’s psychological thriller The Ward—and hasn’t troubled the box office in a big way since 1998’s James Woods-starring Vampires. (And Carpenter, 66, doesn’t sound like he’s in any rush to get back behind the camera: “I worked really hard for more years than I’d like to count, but now I can pick and choose things,” says the director, who most recently co-penned a comic book follow-up to his 1986 kung fu-fantasy film Big Trouble in Little China. “I was doing too much—music and writing and all this shit. I had to take a break. I’m developing a couple of things. But we’ll see. There’s no urgency.”)
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