Long before she directed the summer comedy The To Do List, Maggie Carey was a Division I soccer player at the University of Montana. That was back in the 1990s, when for the first time in her life, she had a female coach.
“It was really refreshing to see a woman in a leadership role and that kind of clicked with me – maybe there was something missing that I wasn’t aware of. And I think seven of the girls [I played with] went on to coach,” Carey says.
Now, as a film director, Carey finds herself at the helm in a profession also historically dominated by men. But like the sea change she witnessed playing soccer earlier in her life, Carey sees things opening up for women who want to get behind the camera.
“The next generation of [soccer] players,” she says, “they’re not going to even think twice about having a female coach. With access and filmmaking, girls who are in high school now aren’t going to think twice about [becoming directors] because they’re going to see women in those positions. It won’t be a barrier because they won’t know there was a barrier.”
Maggie Carey is one of a small group of up and coming female filmmakers in Hollywood who are starting to gain recognition for their work. But it is still a very small group.
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