Inside Movies Breaking Movie News and Scoops | Movie Reviews

Tag: This is the End (1-10 of 20)

Best of 2013 (Behind the Scenes): Evan Goldberg on how much of 'This Is The End' was improvised, his favorite moments


What happens when you lock six comedians in a house for almost the entire length of a feature film? A lot of improvisation. Seth Rogen and Evan Goldberg teamed up to write and direct the summer blockbuster hit This Is the End, but when Rogen, Craig Robinson, James Franco, Danny McBride, Jonah Hill, and Jay Baruchel were put in the same room, no script could hold them down. Not that it wanted to.

Below, co-writer/co-director Evan Goldberg reflects on some of his favorite improvised moments from the film, and talks about how the film’s retro ending — Backstreet Boys! — came about.

Click here for more of’s Best of 2013 coverage.

As told by: Evan Goldberg

On his favorite improvised moments: I’ll start with what I think was my best. I’ll always remember it because Jonah [Hill] always reminds me that it’s the hardest he’s ever laughed in his life. And in reality, what I’m about to say kind of gets less laughs than a lot of the other jokes in the movie. Every now and then you just leave one joke in for yourself and this was it —  it gets like a medium laugh, but it doesn’t kill. It’s when Jonah’s got Seth [Rogen] pinned down and he goes, “I’m going to titty-f–k you, Seth. What are they, big B’s or small C’s?” That line — “What are they, big B’s or small C’s?” — was mine. That really killed Jonah. We had to cut and wait a minute because he was laughing so hard. When Seth pushed his chest together, I thought that was incredibly funny.

My favorite improv of the movie might be when [James] Franco says, “It’s like Neapolitan ice cream” in reference to the father, son, and the holy ghost. That just kills me. I thought that was one of the funniest jokes I’ve ever heard.

Quite unforgettable for me was when Craig Robinson improvised — he had it pre-planned, I know, but not fully — that, “Here’s Terrence Peterson, my monkey flashlight key chain.” And they say, “What’s its name again?” “Terrence Peterson.” And then there’s a pause, and someone says something else, and he goes, “Terry Pete.” That’s just the weirdest. I don’t even know why it’s funny, but audiences love that one.

There are some Jay [Baruchel] said that are too offensive for me to repeat. That’s what I got off the top of my head. READ FULL STORY

'This Is The End' returning to theaters

Good news for those who were left wanting more after The Comedy Central Roast of James Franco last night: This Is the End, the disaster apocalypse movie starring Franco, Seth Rogen, Jonah Hill, and others playing themselves, will return to theaters Sept. 6, Sony announced today.

The well-reviewed R-rated comedy has made $96.8 million to date at the domestic box office since opening June 12. This re-release is likely a push to get the film over the $100 million benchmark; stars and producers typically have bonus deals in place if a movie hits that amount.

This Is the End really struck a chord with comedy moviegoers this summer,” Rory Bruer, president of Worldwide Distribution for Sony Pictures, said in a press release. “For everyone who didn’t get a chance to see it — or saw it and loved it and wants to see it again on the big screen — we are thrilled to have it back in theaters.”

The key trend in Hollywood this summer? Blockbusters -- surprise! -- are now really good movies

When it comes to Hollywood’s summer blockbusters, most of the press, including critics, is a little bit schizophrenic. From early May until the middle of August, the red carpet gets rolled out, each week, for one or two or three mega-budgeted releases that are aiming to be summer smashes, and though much of the media fanfare is noise and hype and advertising, there’s a lot of sincere enthusiasm mixed in there, too. Why wouldn’t there be? Summer movies, when they’re good, are a special form of entertainment — there’s nothing else like them, really — and reviewers aren’t shy when it comes to giving them a hearty thumbs up. Sure, certain films get more or less universally trashed, whether it’s the Transformers movies of the Hangover sequels or The Lone Ranger. But those tend to be the exceptions. If you read reviews of summer movies from week to week, you’d hardly come away thinking that the critics are snobs. READ FULL STORY

'This is the End' gets Blu-ray date -- EXCLUSIVE


The End was just the beginning.

This is the End, the apocalyptic comedy starring James Franco, Jonah Hill, Seth Rogen, and their friends as versions of their real selves, arrives on Blu-ray and other home-viewing formats on Oct. 1. The movie, which has grossed $96.2 million since it opened in June, was the rare summer comedy that the critics loved. Now, you can finally enjoy the movie in the spirit that the end-of-the-world tale engenders: at home in the dark, behind locked doors and bolted windows, with only your closest frenemies and one Milky Way bar.

Fans won’t be disappointed by the extras, which include commentary from co-directors Rogen and Evan Goldberg, a featurette with the cast and crew discussing the delicate feat of playing heightened versions of their Hollywood personas, and the original short that Rogen and Jay Baruchal made that inspired the making of the movie. (Click on Jay & Seth vs. The Apocalypse below after the jump to see its foul-mouthed trailer.) READ FULL STORY

Box office report: 'Monsters University' scares up $82 million


Pixar earned its 14th No. 1 at the box office this weekend — out of 14 releases. Yep, the animation studio, now owned by Disney, has never not opened a film in first place. Its latest release, Monsters University, was no exception. It finished at the top of its class.

Monsters graduated with $82 million from 4,004 theaters in its debut weekend, making it the second biggest Pixar opener of all time behind Toy Story 3, which bowed with $110.3 million in June 2010. It also beat the opening of its predecessor, Monsters Inc., which opened with $62.6 million in 2001. That being said, when inflation is taken into account, Monsters Inc.‘s debut adjusts to about $82 million today (and that was without 3D tickets).

According to Disney, audiences were 56 percent female and 60 percent below the age of 25. Families made up 73 percent of business, and teens accounted for a solid 15 percent. The film played well with all ages, and crowds issued Monsters University an “A” CinemaScore, which should help it endure at the box office for weeks to come.

Monsters University‘s biggest challenge arrives July 3. That’s when Universal’s animated Despicable Me 2 hits theaters and will provide direct competition for families. The original Despicable Me became a word of mouth sensation and earned $251 million in 2010, and because it’s still fresh in audiences’ minds, it provides a formidable threat. But Disney is confident that positive audience reactions will carry Monsters University to success.

Box office update: 'Monsters University' and 'World War Z' have scary good Friday; 'Man of Steel' sinks


The question heading into this frame at the box office was whether World War Z would earn over $50 million, joining Monsters University and Man of Steel and making this the first weekend ever in which three films earned over $50 million. Well, World War Z will earn over $50 million — but due to Man of Steel‘s unexpectedly huge dropoff, that box office record won’t be reached.

Monsters University topped the box office on Friday with a monstrous $30.5 million. That’s better than the $24.6 million that Brave started with en route to a $66.3 million debut, but lower than the $41.1 million that Toy Story 3 earned on Friday on the way to a $110.3 million debut. Monsters University will likely finish between those two films, perhaps with about $75-80 million in its first three days.

In second place, Brad Pitt vehicle World War Z broke out with a terrific $25 million. The zombie thriller, which reportedly cost over $200 million to produce (Paramount is admitting to $190 million), may earn about $63 million over the Friday-to-Sunday period. For a movie whose production was famously troubled, World War Z marks a major marketing win for Paramount. It will easily become the biggest opening of Brad Pitt’s career. READ FULL STORY

'This Is the End': Seth Rogen on film's warm welcome and subconscious 'Ghostbusters' vibe

For his latest movie, Seth Rogen invited five of his closest friends over to James Franco’s house to hole up for a few weeks as the world crumbled around them. And, in the end, a lot of moviegoers wanted to be a fly on the wall in that house.

This Is the End didn’t quite grab the No. 1 spot at the box office this weekend (we all knew how the Superbad-vs.-Superman battle would turn out), but it did score an impressive $33 million-plus debut, holding it down in second place and already recovering its $32 million budget.

In the over-the-top comedy, the film’s six core stars (Rogen, Franco, Jay Baruchel, Jonah Hill, Craig Robinson and Danny McBride) play “themselves” and fight to survive after the apocalypse strikes their A-list party. It’s a wholly original concept — no sequels, spin-offs or reboots here — that features a familiar flock of funny people and a highly touted string of cameos, including Rihanna and Emma Watson. That combination of new and old clearly resonated with movie audiences and critics (the film has an 85 percent Fresh rating over on Rotten Tomatoes), and Rogen couldn’t be more pleased.

We caught up with the man behind the hit — Rogen co-wrote and co-directed with longtime friend and collaborator Evan Goldberg — to talk about the movie’s positive buzz and how taking the apocalypse seriously made the movie even funnier. (SPOILERS AHEAD if you haven’t seen the movie.)

'This Is the End' is more than just hilarious. It marks the potentially revolutionary moment when the movies met reality TV

For years, Hollywood producers have been cannibalizing television shows to come up with concepts for movies. The trend might have looked like it was on its way out after the low-rent megaplex versions of Starsky & Hutch and The Dukes of Hazzard (the latter of which I actually liked), but no, it’s still very much with us, from The A-Team to Dark Shadows to 21 Jump Street (can Doctor Who be far behind?). Reality TV, on the other hand, is a different animal, resistant by nature to being translated to the big screen. It’s not that you can’t do it. As far back as the late ’60s, when Candid Camera was a seminal early example of reality programming, that show spawned a smuttier-than-the-small-screen movie version, the boob-tube-plus-boobs What Do You Say to a Naked Lady? (1970). And given that a great many reality shows exploit our attraction to salacious subject matter, it would have seemed far from totally absurd if they’d come up with, say, a movie version of Jersey Shore, where the hot-tub cavorting didn’t need to be fuzzed out and The Situation could have gotten into some situations too risqué for TV. READ FULL STORY

Box office report: 'Man of Steel' scores super $125.1 million debut, breaks June record


Faster than a speeding bullet, Warner Bros.’ $225 million franchise reboot Man of Steel has become a box office behemoth.

The superhero film began its run with a massive $125.1 million ($113.1 million over the traditional weekend, $12 million from corporate screening programs on Thursday), breaking the record for the biggest June opening weekend ever, ahead of Toy Story 3‘s $110.3 million bow in 2010.  Among 2013 films, Man of Steel had the second best debut of the year behind Iron Man 3, which started with $174.1 million in May.

Man of Steel garnered a fantastic $29,731 per theater average from its 4,207 locations. The film grossed $13.3 million in IMAX theaters, and 41% of its business came from 3D ticket sales. Audiences were 56 percent male and 44 percent female, a more even gender distribution than Iron Man 3, which had a 61/39 percent male/female split on opening weekend. The dashing looks of Henry Cavill (and Amy Adams’ appeal) no doubt helped Man of Steel play well with women. Reviews were mixed, but crowds issued the film a strong “A-” CinemaScore.

For Cavill, Adams, and the rest of the cast — which includes Russell Crowe, Diane Lane, Kevin Costner, Laurence Fishburne, and Michael Shannon — Man of Steel became their best ever opening weekend. The same goes for director Zack Snyder, who formerly saw gigantic numbers when 300 bowed with $70.9 million in 2007.

Man of Steel also clobbered the debut of 2006’s Superman Returns, which opened with $52.5 million and earned $200 million domestically against a $270 million budget. Widely considered a box office misfire, Superman Returns did not, in fact, return. In about one week, Man of Steel will likely have surpassed that film’s domestic total.

The news couldn’t be better for Warner Bros., which — with the exceptions of The Great Gatsby and 42 — has badly struggled at the box office in 2013. Films like Jack the Giant Slayer, The Hangover Part III, Beautiful Creatures, Bullet to the Head, and The Incredible Burt Wonderstone have massively under-performed at the box office, so Man of Steel‘s success is a welcome change. “We’re thrilled,” says Dan Fellman, the studio’s president of domestic distribution, “and it will fly through the summer. We’re going to have legs on this film.”

Fellman also notes that Man of Steel‘s success brings Warner Bros. and DC Comics one step closer to creating a Justice League franchise that might rival Marvel/Disney’s Avengers. The exec wouldn’t confirm whether Henry Cavill has already been contracted to star in Justice League films, though he did coyly remark, “Henry will be around for a while.”

Internationally, Man of Steel soared with $71.6 million in its first weekend, including $17.6 million in the United Kingdom and $9.8 million in Mexico. The film has yet to open in a number of large markets, but it’s already clear that it will easily outdo Superman Returns $191 million international haul. READ FULL STORY

Box office update: 'Man of Steel' soars to $44.1 million Friday, will speed past $100 million


After one day, the return of Superman is already faring better than Superman Returns.

Warner Bros.’ $225 million franchise reboot, Man of Steel, took in a blazing $44.1 million on Friday. Including the $12 million earned on Thursday through corporate screening programs, the film has a $56.1 million total headed into the final two days of the weekend. By Sunday night, Man of Steel may earn about $125 million, which would stand as the second highest opening weekend of 2013 behind Iron Man 3‘s $174.1 million bow.

There’s also a chance that Man of Steel, which garnered an “A-” CinemaScore and has massive potential for Father’s Day business, may hold up better the average tentpole and finish closer to my $132 million prediction. Stay tuned to EW to see where it finishes.

Fellow newcomer This is the End scored $6.9 million on its first Friday, giving it a three-day total of $19.2 million. The $32 million R-rated comedy should take in about $20 million over the weekend, giving it a five day total of about $33 million. Audiences issue the film a “B+” CinemaScore.

Three holdovers filled out the rest of the Top 5. Now You See Me dropped only 46 percent in the face of Man of Steel to $3.3 million, putting it on pace for an $11 million frame. The Purge, meanwhile, plummeted 83 percent from its first Friday to $2.9 million, and may earn about $8.5 million in its sophomore weekend. Fast & Furious 6 grossed $2.6 million on Friday, and it may climb into fourth place by Sunday night with $9 million.

1. Man of Steel – $44.1 million
2. This is the End – $6.9 million
3. Now You See Me – $3.3 million
4. The Purge – $2.9 million
5. Fast & Furious 6 – $2.6 million

For more box office updates, follow me on Twitter:

Latest Videos in Movies


From Our Partners

TV Recaps

Powered by VIP