Tag: This is the End (1-10 of 14)

Jun 17 2013 08:00 AM ET

'This Is the End': Seth Rogen on film's warm welcome and subconscious 'Ghostbusters' vibe

Seth-Rogen

Image Credit: FREDERIC J. BROWN/AFP/Getty Images

For his latest movie, Seth Rogen invited five of his closest friends over to James Franco’s house to hole up for a few weeks as the world crumbled around them. And, in the end, a lot of moviegoers wanted to be a fly on the wall in that house.

This Is the End didn’t quite grab the No. 1 spot at the box office this weekend (we all knew how the Superbad-vs.-Superman battle would turn out), but it did score an impressive $33 million-plus debut, holding it down in second place and already recovering its $32 million budget.

In the over-the-top comedy, the film’s six core stars (Rogen, Franco, Jay Baruchel, Jonah Hill, Craig Robinson and Danny McBride) play “themselves” and fight to survive after the apocalypse strikes their A-list party. It’s a wholly original concept — no sequels, spin-offs or reboots here — that features a familiar flock of funny people and a highly touted string of cameos, including Rihanna and Emma Watson. That combination of new and old clearly resonated with movie audiences and critics (the film has an 85 percent Fresh rating over on Rotten Tomatoes), and Rogen couldn’t be more pleased.

We caught up with the man behind the hit — Rogen co-wrote and co-directed with longtime friend and collaborator Evan Goldberg — to talk about the movie’s positive buzz and how taking the apocalypse seriously made the movie even funnier. (SPOILERS AHEAD if you haven’t seen the movie.)
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Jun 16 2013 12:39 PM ET

'This Is the End' is more than just hilarious. It marks the potentially revolutionary moment when the movies met reality TV

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Image Credit: Suzanne Hanover

For years, Hollywood producers have been cannibalizing television shows to come up with concepts for movies. The trend might have looked like it was on its way out after the low-rent megaplex versions of Starsky & Hutch and The Dukes of Hazzard (the latter of which I actually liked), but no, it’s still very much with us, from The A-Team to Dark Shadows to 21 Jump Street (can Doctor Who be far behind?). Reality TV, on the other hand, is a different animal, resistant by nature to being translated to the big screen. It’s not that you can’t do it. As far back as the late ’60s, when Candid Camera was a seminal early example of reality programming, that show spawned a smuttier-than-the-small-screen movie version, the boob-tube-plus-boobs What Do You Say to a Naked Lady? (1970). And given that a great many reality shows exploit our attraction to salacious subject matter, it would have seemed far from totally absurd if they’d come up with, say, a movie version of Jersey Shore, where the hot-tub cavorting didn’t need to be fuzzed out and The Situation could have gotten into some situations too risqué for TV. READ FULL STORY »

Jun 16 2013 11:49 AM ET

Box office report: 'Man of Steel' scores super $125.1 million debut, breaks June record

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Faster than a speeding bullet, Warner Bros.’ $225 million franchise reboot Man of Steel has become a box office behemoth.

The superhero film began its run with a massive $125.1 million ($113.1 million over the traditional weekend, $12 million from corporate screening programs on Thursday), breaking the record for the biggest June opening weekend ever, ahead of Toy Story 3‘s $110.3 million bow in 2010.  Among 2013 films, Man of Steel had the second best debut of the year behind Iron Man 3, which started with $174.1 million in May.

Man of Steel garnered a fantastic $29,731 per theater average from its 4,207 locations. The film grossed $13.3 million in IMAX theaters, and 41% of its business came from 3D ticket sales. Audiences were 56 percent male and 44 percent female, a more even gender distribution than Iron Man 3, which had a 61/39 percent male/female split on opening weekend. The dashing looks of Henry Cavill (and Amy Adams’ appeal) no doubt helped Man of Steel play well with women. Reviews were mixed, but crowds issued the film a strong “A-” CinemaScore.

For Cavill, Adams, and the rest of the cast — which includes Russell Crowe, Diane Lane, Kevin Costner, Laurence Fishburne, and Michael Shannon — Man of Steel became their best ever opening weekend. The same goes for director Zack Snyder, who formerly saw gigantic numbers when 300 bowed with $70.9 million in 2007.

Man of Steel also clobbered the debut of 2006′s Superman Returns, which opened with $52.5 million and earned $200 million domestically against a $270 million budget. Widely considered a box office misfire, Superman Returns did not, in fact, return. In about one week, Man of Steel will likely have surpassed that film’s domestic total.

The news couldn’t be better for Warner Bros., which — with the exceptions of The Great Gatsby and 42 — has badly struggled at the box office in 2013. Films like Jack the Giant Slayer, The Hangover Part III, Beautiful Creatures, Bullet to the Head, and The Incredible Burt Wonderstone have massively under-performed at the box office, so Man of Steel‘s success is a welcome change. “We’re thrilled,” says Dan Fellman, the studio’s president of domestic distribution, “and it will fly through the summer. We’re going to have legs on this film.”

Fellman also notes that Man of Steel‘s success brings Warner Bros. and DC Comics one step closer to creating a Justice League franchise that might rival Marvel/Disney’s Avengers. The exec wouldn’t confirm whether Henry Cavill has already been contracted to star in Justice League films, though he did coyly remark, “Henry will be around for a while.”

Internationally, Man of Steel soared with $71.6 million in its first weekend, including $17.6 million in the United Kingdom and $9.8 million in Mexico. The film has yet to open in a number of large markets, but it’s already clear that it will easily outdo Superman Returns $191 million international haul. READ FULL STORY »

Jun 15 2013 10:37 AM ET

Box office update: 'Man of Steel' soars to $44.1 million Friday, will speed past $100 million

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After one day, the return of Superman is already faring better than Superman Returns.

Warner Bros.’ $225 million franchise reboot, Man of Steel, took in a blazing $44.1 million on Friday. Including the $12 million earned on Thursday through corporate screening programs, the film has a $56.1 million total headed into the final two days of the weekend. By Sunday night, Man of Steel may earn about $125 million, which would stand as the second highest opening weekend of 2013 behind Iron Man 3‘s $174.1 million bow.

There’s also a chance that Man of Steel, which garnered an “A-” CinemaScore and has massive potential for Father’s Day business, may hold up better the average tentpole and finish closer to my $132 million prediction. Stay tuned to EW to see where it finishes.

Fellow newcomer This is the End scored $6.9 million on its first Friday, giving it a three-day total of $19.2 million. The $32 million R-rated comedy should take in about $20 million over the weekend, giving it a five day total of about $33 million. Audiences issue the film a “B+” CinemaScore.

Three holdovers filled out the rest of the Top 5. Now You See Me dropped only 46 percent in the face of Man of Steel to $3.3 million, putting it on pace for an $11 million frame. The Purge, meanwhile, plummeted 83 percent from its first Friday to $2.9 million, and may earn about $8.5 million in its sophomore weekend. Fast & Furious 6 grossed $2.6 million on Friday, and it may climb into fourth place by Sunday night with $9 million.

1. Man of Steel – $44.1 million
2. This is the End – $6.9 million
3. Now You See Me – $3.3 million
4. The Purge – $2.9 million
5. Fast & Furious 6 – $2.6 million

For more box office updates, follow me on Twitter:

Jun 14 2013 03:35 PM ET

How did they get [SPOILER ALERT] to appear at the end of 'This Is the End'?

If you haven’t seen This Is the End, then stop reading now. Better yet, stop reading, go straight to the theater, watch it, and then come back.

Go ahead. We’ll wait.

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Jun 14 2013 12:42 PM ET

After 'The End,' Seth Rogen plots to kill Kim Jong-un with James Franco

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Image Credit: Astrid Stawiarz/Getty Images

What comes after the apocalypse? For Seth Rogen — co-director, co-writer, and co-star of This Is the End — it’s another comedy featuring his old Freaks and Geeks buddy James Franco.

The film is called The Interview, Rogen said on SiriusXM’s EW Morning Live today. It stars Franco as an entertainment journalist — specifically, “a much dumber, more of a joke version of Ryan Seacrest” — who’s tasked with assassinating North Korean dictator Kim Jong-un.

Wait — what? Listen to Rogen explain it all in this clip from today’s show, which also features Morning Live hosts Dalton Ross and Jenna Morasca. You can hear the interview on SiriusXM as well: A recap of this week’s best Morning Live moments will run Saturday and Sunday at 2 a.m., 3 p.m., and 8 p.m. ET. Find the EW channel’s full schedule here.

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Jun 13 2013 07:58 PM ET

Box office preview: How high will 'Man of Steel' fly on opening weekend?

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It’s finally here. The most talked-about film of summer 2013. Man of Steel.

The Superman reboot isn’t just anticipated from a creative standpoint. With a $225 million budget, an image-overhaul by producer Christopher Nolan, and lingering memories of Superman Returns‘ less-than-stellar box-office run in 2006, Man of Steel‘s financial prospects have become almost as big of a story as the film itself.

Expectations for Man of Steel‘s opening weekend vary wildly. Warner Bros. is trying to keep forecasts around $75-80 million. Meanwhile, prognosticators’ predictions range from $84 million all the way to $115 million. But those all seem low to me. Yes, low.
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Jun 4 2013 01:34 PM ET

'This is the End' premiere: Seth Rogen & Co. debate whether they have what it takes to survive the apocalypse

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Image Credit: Alberto E. Rodriguez/Getty Images

In This is the End, James Franco and Seth Rogen try to get through the apocalypse with a little help from their famous friends. The world is literally imploding, which really puts a damper on the killer shindig Franco was hosting. Rihanna is there, Mindy Kaling is horny, and Michael Cera is totally out of control. The cast — which also includes Jonah Hill, Danny McBride, Jay Baruchel, Craig Robinson, and Emma Watson — plays caricatures of their own public personas, an experience Rogen, who co-wrote and co-directed with Evan Goldberg, found cathartic. “The studio was a little freaked out by the notion of it, but we like referential meta humor like Seinfeld or the Garry Shandling Show,” Rogen said. “I think it is a risk, but it is always something I thought was really funny. The actors were psyched so we just kind of went for it.”

Watching warped versions of these Hollywood stars go all Lord of the Flies on each other begs the question: Which of them have the skills to survive the end of times, when pure Darwinistic instincts take over? At last night’s premiere in Westwood, Calif., the cast was brutally honest about their chances should hell open up, the sky start to fall, and a demon-penis (Yes, demon-penis) attack humanity.

Bottom line: It doesn’t look like the post-apocalyptic world will have any jesters. Read below for the cast’s thoughts on what survival skills might keep them alive when the fit finally hits the shan:

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Apr 24 2013 06:05 PM ET

'Fast & Furious 6' vs. 'The Hangover III': The summer's biggest box office showdown revs up

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Image Credit: Universal/Warner Bros.

We’re a full month away, but do you know what are you doing this Memorial Day? If two studios have their way, you’ll be spending a big chunk of it in a movie theater where a pair of highly anticipated sequels will be facing off. On May 24, the Warner Bros. comedy The Hangover Part III and the Universal action-adventure Fast & Furious 6 will premiere with hopes of drawing on their similarly young, male core demographic—while not stomping on each other’s toes in the process. “It’s as close to a coin-flip weekend as you’ll ever see in the summer season,” says Phil Contrino, VP/chief analyst of BoxOffice.com. “Eighteen-to 34-year-old males—that’s the bread and butter for both [franchises]. Those people will have to make a decision that weekend.” Past performances show the franchises to be extremely well matched: Fast Five opened with $86.2 million in April 2011, while The Hangover Part II opened with $85.9 million on Memorial Day weekend that same year. READ FULL STORY »

Apr 9 2013 12:01 PM ET

'This is the End' clip: Would Jonah Hill, James Franco, and Seth Rogen survive the apocalypse? -- VIDEO

Before this year’s MTV Movie Awards (hosted by Rebel Wilson, April 14 at 9 p.m.), MTV has been releasing a slew of clips from upcoming filming, including an exclusive new scene from Seth Rogen and Evan Goldberg’s apocalypse comedy This is the End starring James Franco, Jonah Hill, Craig Robinson, and Jay Baruchel.

In the scene, the gang debates what to do when L.A. officials declare martial law after an earthquake. But there are more questions than answers, such as… would you want to die at James Franco’s house? If actors were actually saved first from natural disasters, which of these guys would survive? What do we really think of Jonah Hill’s diamond earring?

Decide for yourself as you watch below.

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