• Tom Cruise and director Doug Liman are reportedly courting Jack Nicholson for the Warner Bros. comedy El Presidente, about a by-the-books secret service agent assigned to protect “America’s worst former President” who boozes and womanizes with abandon. Nicholson would play the part of the President, a VP who assumed the Commander-in-Chief’s job after the President died. According to the report, the project has been in development since 2010 — originally with Jay Roach in the director’s chair. Nicholson and Cruise appeared together previously in 1992’s A Few Good Men, which earned Nicholson a Best Supporting Actor nomination. The three-time Oscar winner has not appeared in a movie since 2010’s How Do You Know. [THR]
Tag: Tom Cruise (11-20 of 97)
Your mission, should you choose to accept it, involves marking your calendars for the Dec. 25, 2015 release of the fifth installment in the Mission: Impossible franchise. Paramount Pictures confirmed the Christmas Day release on Wednesday.
Tom Cruise will reprise his role as Ethan Hunt in the film, which will find the actor re-teaming with his Jack Reacher director Christopher McQuarrie. Drew Pearce, who co-wrote Iron Man 3 with Shane Black, is writing the script.
• Tom Cruise is teaming up again with his Oblivion director Joseph Kosinski for the upcoming drama, Go Like Hell. The drama will tell the story of the competition between Ford Motor Company and Italian sports car designer Enzo Ferrari and the events that occurred at the 1966 Le Mans race as a result. The film is based off the book Go Like Hell: Ford, Ferrari and Their Battle for Speed and Glory at Le Mans by A.J. Baime [THR]
Tom Cruise’s upcoming sci-fi film is getting a splashy presentation at this weekend’s Comic-Con, courtesy of Warner Bros. — and a new name to boot.
Formerly known as All You Need is Kill, the movie — which is directed by Doug Liman (The Bourne Identity, Mr. and Mrs. Smith) and due in theaters June 6, 2014 — is now titled Edge of Tomorrow. Cruise stars as a futuristic soldier who gets caught in a time loop and has to fight the same battle against alien invaders and die over and over again. Fortunately he gets more skilled and learns new tactics with each go-round. Emily Blunt co-stars but no word yet on who will attend the film’s July 20 panel at the annual San Diego Comic-Con.
No one knows the Hollywood franchise game better than Jerry Bruckheimer, the producer behind Pirates of the Caribbean, National Treasure, Beverly Hills Cop, and the upcoming Lone Ranger. During his more than 35 years of making movies, most of his giant blockbusters have yielded big-budget sequels — except the one that moviegoers are perhaps the hungriest to revisit: Top Gun. After years of planning to send Tom Cruise’s rebel flyboy back into the sky were interrupted by the tragic death of director Tony Scott, who helmed the 1986 original, Bruckheimer says Top Gun 2 is still a Go.
“We still want to do it with Tom, and Paramount are still interested in making it,” Bruckheimer told an audience at Sunday’s Produced By conference. “What Tom tells me is that no matter where he goes in the world, people refer to him as Maverick. It’s something he is excited about, so as long as he keeps his enthusiasm hopefully we’ll get it made.”
If Top Gun 2 seems like an inevitability, Bruckheimer sounds more prudent about the Lone Ranger, the expensive Johnny Depp and Armie Hammer western that rides into theaters July 3. Clearly, it’s designed as a franchise — but then again, so was The Prince of Persia: The Sands of Time. “Hopefully The Lone Ranger will continue as a sequel,” Bruckheimer said. “It’s always up to the audience. If the audience likes the movie, then Disney will come to me and we’ll make another, or it will be a one-off.”
Even tallest-building-in-the-world-climber action star Tom Cruise has his limits. The guy cannot be in two places at once. Cruise was set to star in the Warner Bros. big screen adaptation of 1960s spy series Man from U.N.C.L.E., but his role as another secret agent in another franchise based on a mid-century TV show is getting in the way. He has dropped out of Man from U.N.C.L.E. due to Mission: Impossible 5 scheduling, EW has confirmed. Deadline first reported the news.
This isn’t the first time the long-in-development Man from U.N.C.L.E. movie has had a talent change-up. At one point, George Clooney was attached to star, with Steven Soderbergh directing. Now Guy Ritchie is gearing up to direct the project, about a pair of agents work for the international agency U.N.C.L.E, or, United Network Command for Law and Enforcement. Armie Hammer (The Social Network) is still attached to the film. READ FULL STORY
Warner Bros. delays release dates for '300: Rise of an Empire' and Tom Cruise pic 'All You Need Is Kill'
Audiences expecting to return to the swords-and-sandals-and-CGI ancient Greece of 300 this summer will have to wait until next March. Warner Bros. has pushed the release date of sequel/side-quel 300: Rise of an Empire from Aug. 2, 2013 to March 7, 2014. READ FULL STORY
This message will self-destruct in five seconds: Nearly two decades after kicking off the blockbuster Mission: Impossible series in 1996, Tom Cruise has signed on to star in a fifth installment in the espionage franchise, EW has confirmed.
Cruise’s last outing in the role of IMF agent Ethan Hunt, 2011’s Mission: Impossible – Ghost Protocol, took in nearly $700 million at the box office worldwide, making it Cruise’s highest-grossing film ever. According to Deadline, writer-director Christopher McQuarrie, who teamed with Cruise on last year’s action thriller Jack Reacher, is the top candidate to helm the film, but neither a director nor any other casting or plot details have yet been officially unveiled.
If this weekend’s box office is any indication, the couch jumping stigma that has plagued Tom Cruise’s career for the better part of the last decade may finally be thing of the past.
Cruise’s latest, the $120 million sci-fi adventure Oblivion, opened to a solid $38.2 million this weekend. That’s a terrific start for the chiseled star, who has struggled recently at the box office with under-performers like Jack Reacher, Rock of Ages, Valkyrie, and Knight and Day. In fact, only four Cruise vehicles have ever opened higher — and three of them are Mission Impossible movies. (The other is War of the Worlds). Oblivion actually marks the first number one opening for Cruise in seven years, though it should be noted that Mission: Impossible – Ghost Protocol opened in limited release and climbed to number one upon its wide expansion.
Cruise isn’t the only star in Oblivion — it also features Morgan Freeman, Andrea Riseborough, and Olga Kurlyenko — but it was marketed almost exclusively on his appeal. According to distributor Universal, audiences, which were 57 percent male and 74 percent 25 or older, listed Tom Cruise as their primary reason for seeing the film, followed by the sci-fi genre and Morgan Freeman. Those same audiences weren’t in love with what they saw, though, as Oblivion was issued a lackluster “B-” CinemaScore grade.
Domestically, Oblivion opened in 3,783 theaters and earned a fantastic $10,085 location average. IMAX screens accounted for $5.5 million of Oblivion‘s weekend gross. Internationally, the film had a successful weekend, as well. After its $61.1 million opening from 52 territories, Oblivion took in another $33.6 million from 60 territories this time around. The film has grossed $112 million so far (for a $150.2 million worldwide total), and it has high-profile openings in Japan and China still to come.
In second, the Jackie Robinson drama 42 fell only 34 percent to $18 million for a $54.1 million total after ten days. Warner Bros.’ $40 million baseball pic, which earned an “A+” CinemaScore grade, didn’t hold quite as well as The Help, another “A+” racially charged drama, which dipped 23 percent in its second weekend. Thus, while 42 still seems likely to hit the $100 million mark, it doesn’t seem destined for a gross in the same range as The Help‘s $169 million total. Still, 42 is a big winner for Warner Bros., which was in dire need of a box office hit.
The Croods spent the weekend in third place, dropping 28 percent to $9.5 million. After five weeks, the $135 million animation has grossed $154.9 million, a great start in the five-year distribution deal between DreamWorks Animation and Fox.
In fourth, Scary Movie 5 didn’t hold nearly as well. The $20 million spoof from Weinstein’s Dimension fell 56 percent to $6.3 million, giving it a weak $22.9 million total after ten days. At the same point in its run, Scary Movie 4 had earned $67.5 million.
G.I. Joe: Retaliation rounded out the Top 5 with $5.8 million, marking a 48 percent drop from its prior frame. Paramount’s $130 million film has now earned $111.2 million domestically, a substantially lower gross than its predecessor, but it’s been making up ground overseas, where the film has earned $211.7 million. Retaliation opened in China this week, where it took in $33 million during its first seven days. Worldwide, Retaliation has earned $322.9 million and should pass the $400 million mark with ease.
1. Oblivion – $38.2 million
2. 42 – $18 million
3. The Croods – $9.5 million
4. Scary Movie 5 – $6.3 million
5. G.I. Joe: Retaliation – $5.8 million
The Place Beyond the Pines just missed the Top 5 after expanding from 514 theaters into 1,542 theaters. Pines grossed $4.8 million, yielding a mediocre $3,078 per theater average, which doesn’t merit further expansion. The Focus Features release cost $15 million and has earned $11.4 million total.
Two other quick highlights: Sony’s $13 million Halle Berry thriller The Call passed the $50 million mark this weekend. It’s been a nice mid-level hit for distributor TriStar. Olympus Has Fallen has also been doing terrific business for its distributor, FilmDistrict. After five weekends, the White House thriller has quietly earned $88.8 million.
For more box office coverage, follow me on Twitter: Follow @gradywsmith
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