Divergent, whatever you think of it as a movie (I found it to be your basic, agreeably rousing sensitive-teen-in-Amish-linen-finds-her-inner-tattooed-jock-to-fight-the-power formula dystopian thriller), is, like the young-adult novel it’s based on, a piece of pulp mythology that obviously borrows a lot from The Hunger Games. The heroine who hails from a downtrodden district or, in this case, a faction (Abnegnation) that prizes self-sacrifice; the fascist schemers up top; the whole gym-class-on-steroids feeling of a seemingly normal girl who rises to a series of death-defying physical challenges; and, of course, the sense that the heroine can accomplish all this because, while ordinary on the surface, she’s really different, she’s special, she’s a rebel, she’s divergent in her innate superiority. (Why do I feel as if Leni Riefenstahl would have loved these movies?) READ FULL STORY
Tag: When the critics met YA (1-1 of 1)
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