Yesterday, Bryan Singer and the cast of hotly anticipated prequel-sequel X-Men: Days of Future Past teamed up with Empire to show off all the characters in the film’s crowded ensemble. The daylong reveal concluded with the first-ever official look at the Sentinel of Past‘s future, which is definitely not to be confused with the Sentinel of Future‘s past. The Future Sentinel looks darker, scarier, and generally more modern than before. Check it out below: READ FULL STORY
Tag: X-Men: Days of Future Past (1-10 of 46)
Last week’s X-Men teaser promised an in-depth look at Days of Future Past, this summer’s hotly-anticipated reunion prebootquel. Sure enough, director/pitchman Bryan Singer and the X-cast have teamed up with Empire magazine to unveil 25 magazine covers featuring the sprawling cast of characters who occupy Future Past‘s two timelines.
The most notable revelation is a full-sized Sentinel, one of several mutant-hunting megadroids who torment the X-Men throughout the generations. READ FULL STORY
The eternal Days of Future Past social media press tour continues! This summer’s X-Men se-preboot-quel has just posted a very short video. Some of the footage is familiar, and there is a considerable amount of Fassbender doing his “I am crushing you with my brain” face. But there are a couple of notable new revelations. First: Jennifer Lawrence will do for the early ’70s what she did for the late ’70s in American Hustle. Second: Evan Peters is actually in this movie! You can get a quick glance at Magneto’s son Quicksilver, wearing what appears to be some kind of police uniform.
Anyhow, this video’s only like five seconds long, and it still has more mutants than X-Men 3. Watch below: READ FULL STORY
EW is inside all the Golden Globes parties tonight. Check out our reports from inside all the carousing and celebrating. Check back often for updates and follow us on Twitter at #EWglobes.
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'X-Men: Days of Future Past': New image of Wolverine and Beast, plus details from Bryan Singer -- EXCLUSIVE PHOTO
The casts of the original X-Men trilogy and 2011’s X-Men: First Class team up for May’s highly anticipated X-Men: Days of Future Past. “It’s not a reboot because there’s some of the same characters and same actors,” says Bryan Singer, who previously directed the 2000 original and 2003’s X2. “But it’s also not a conventional sequel—I call it an inbetweequel.” READ FULL STORY
X-Men: Days of Future Past doesn’t come out until May but director Bryan Singer has already begun teasing fans with details on Past‘s planned follow-up, X-Men: Apocalypse, tentatively set for release in 2016. First, there was the cryptic announcement tweet in early December. Then, he tweeted a photo of a work session with Past writer Simon Kinberg and X2 scribes Dan Harris and Michael Dougherty.
The question is Will Singer direct this X-Men installment? Maybe. “I’m co-writing the story and I’m producing it,” says the director. “I’m negotiating to direct. We’re in the process. We’re trying to figure it out, schedules. My desire would be to direct it.” READ FULL STORY
There will be one less mutant in this summer’s highly anticipated X-Men: Days of Future Past, which combines the casts of the original X-Men trilogy with those of 2011′s First Class. Director Bryan Singer (The Usual Suspects) has revealed to EW exclusively that a rescue sequence — shot early in the film’s production and featuring Magneto (Ian McKellen), Professor X (Patrick Stewart), Rogue (Anna Paquin), and Iceman (Shawn Ashmore) — has been cut from the final film. Sadly, this means that Rogue’s screen time has been significantly chopped down as well.
“Through the editing process, the sequence became extraneous,” explains Singer. “It’s a really good sequence and it will probably end up on the DVD so people can see it. But like many things in the editing process, it was an embarrassment of riches and it was just one of the things that had to go. Unfortunately, it was the one and only sequence Anna Paquin was in, the Rogue character was in. Even though she’s in the materials and part of the process of making the film, she won’t appear in it.”
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Like we needed another reason to love Sir Ian McKellen. As if being completely awesome in everything he does is not enough, the man is also absurdly charming and, as it turns out, hilariously honest as well. We discovered this first hand when McKellen stopped by Entertainment Weekly Radio (SiriusXM, channel 105) this week. After an engaging chat about him reprising his role as Gandalf in The Hobbit: The Desolation of Smaug, talk turned to his other big franchise, X-Men, and what we might see in the next installment, Days of Future Past. Well, it turns out, the man who plays Magneto kinda, sorta, really has no idea — even though he was there making it. “I don’t always understand the plots of these films until I actually see them with an audience,” he admitted.
But the actor was at least able to figure out what he’s doing in the movie. “It’s all about going into the past, basically,” said McKellen. “And so I don’t get to go into the past. I don’t think I’m spoiling it by saying that. But we are there in the beginning when the plot is hatched.” Sir Ian was also quick to note that “Magneto is in very safe hands” with Michael Fassbender, who plays the younger version of the mutant.
McKellen also took a moment to compare his two famous characters. “The odd thing about a Gandlaf is that he’s good through and through,” he said. “Magneto is a bit of both. He’s well-intentioned, but he perhaps politically is not very sound, and I’m not sure that I quite agree with his tactics.” Well, that’s comforting. And it’s also comforting to know that Sir Ian McKellen is as awesome off-screen as he is on it. To hear a clip of our interview with the man behind Gandalf and Magneto, click on the video player below. MAGNETO COMMANDS YOU!
Hugh Jackman is coming up on 15 years — and a possible eighth film — playing macho mutant Logan, a.k.a. The Wolverine in the X-Men films. But, the actor told EW, he couldn’t be happier about it: “I kind of am enjoying him more than ever.” Given the $414 million global box office take of this summer’s The Wolverine, fans would tend to agree.
Though there are still four long, wintry months between now and the May release of X-Men: Days of Future Past, Jackman says there’s plenty to hold over X-men obsessives in The Wolverine‘s at-home release (out in Digital HD™ now, and hitting stores Dec. 3 with a 4 Disc Unleashed Extended Edition Blu-ray and 2 Disc Blu-ray), which just so happens to include Days teases curated by director Bryan Singer himself. Read on… READ FULL STORY
Hans Zimmer has been composing classic Hollywood scores for 30 years, but you can practically pinpoint when he was handed the baton to become the Maestro. For more than a generation, John Williams, famous for Jaws, Star Wars, and Indiana Jones, was the artist who scored our dreams, but last July, Warner Bros. announced that it was retiring Williams’ iconic Superman theme. Instead, Zimmer — the composer behind The Dark Knight, Inception, and Gladiator — would provide the melody that a new generation of kids would hum while they pretend to fly around their backyards after seeing Zack Snyder’s Man of Steel.
An eight-time Oscar nominee — who won for The Lion King — Zimmer is best known for his collaborations with director Christopher Nolan, but the one track that seems to have made the longest-lasting impact is from Terrence Malick’s 1998 World War II movie, The Thin Red Line, in which Jim Caviezel is an oasis of serenity (above) within the hell-hole of war. Fifteen years later, “Journey to the Line” is a go-to tone-setter for the biggest and most ambitious Hollywood films. It accompanied the first footage of Man of Steel when Snyder reintroduced the character at Comic-Con 2012. The most recent trailer for X-Men: Days of Future Past pumps it up just as Wolverine screams in anguish, while Steve McQueen’s saga, 12 Years a Slave, leans heavily on the tune just after Solomon Northup (Chiwetel Ejiofor) says, “I don’t want to survive. I want to live!”
Triumph. Tragedy. Serenity. Deep, profound emotional release. The music conveys it all, and could eke a single tear down your cheek even if it played over Grown Ups 3: Dookie in the Pool. Plus, the tune is evocative without being iconic. Not many people hear it in a trailer and go, “Cool, ‘Journey to the Line’ from The Thin Red Line!” Instead, they might think, “Whoa, this movie sounds intense and important. Why am I crying at naked, blue-skinned Jennifer Lawrence?”
With X-Men and 12 Years, Michael Fassbender certainly seems to be profiting from the soundtrack association. He’s already intense and important, but “Journey to the Line” has now played over three of his biggest recent films, including last year’s Shame. [Correction: Actually, the piece of music in the Shame trailer is a Zimmer soundalike from composer Harry Escott.] Maybe, as one of my colleagues suggested today, hearing “Journey to the Line” is simply how it feels to be Michael Fassbender every day…
Click below to hear “Journey to the Line” — or as some call it, “The Fassbender Suite” — in a few of its trailer incarnations:
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