When Matthew Modine calls The Dark Knight Rises the “most insane film that I’ve ever been involved with,” that’s really saying something. After all, this is the same man who did a famously lengthy tour of duty with Stanley Kubrick to complete the seminal 1987 war film, Full Metal Jacket, an exhausting odyssey that lacked a scripted ending until the final stages of production. When Modine describes Christopher Nolan’s sprawling new Batman epic in such terms, however, he’s not referring to such chaos, but the sheer scope, the stirring action, and the swirling winds of philosophical and political commentary that are howling through Batman’s cape, Catwoman’s spandex, and Bane’s mask.
Modine, too, plays an important role in the proceedings. As Deputy Commissioner Foley, he represents a misguided Gotham City that has turned its back on what is important during a time of relative peace. Like the rest of the police force — except Commissioner Gordon — he’s hungry to capture Batman for all the wrong reasons, and when Bane finally grabs the city by the throat, he’s not prepared. READ FULL STORY