12 Years a Slave won the Best Film trophy today at the BAFTA Film Awards in London. The movie’s star Chiwetel Ejiofor was also victorious in the Leading Actor category. Cate Blanchett won the Leading Actress award for Blue Jasmine while Alfonso Cuarón scored Best Director for Gravity, one of six wins for the Sandra Bullock-starring space drama. Jennifer Lawrence won Best Supporting Actress for American Hustle and Barkhad Abdi won Best Supporting Actor for his role in Captain Phillips.
Tag: Awards Season (11-20 of 332)
Alfonso Cuaron was honored with the Visionary Award last night at the 12th annual VES Awards, recognizing the best in visual special-effects — so it was no surprise that Gravity was also the ceremony’s big winner. Cuaron’s riveting outer-space thriller, starring Sandra Bullock and George Clooney, won six awards in total, including the top prize for Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture.
Frozen won four awards, including Outstanding Animation in an Animated Feature Motion Picture; Game of Thrones had three wins as well.
In the last five years, the winner of the top prize at the VES Awards has gone on to win the Oscar for Best Special Effects four times, including last year, when Life of Pi won both awards.
Click below for a complete list of winners:
Singer/actress Idina Menzel will perform “Let it Go” from the Disney smash hit Frozen during the Oscars, ABC announced Tuesday, leaving no doubt that the film’s best-selling soundtrack has earned its place in pop culture history.
The animated fairy tale Frozen is up for two Oscar nominations. “Let it Go,” the flick’s theme song, is a nominee in the Best Original Song Category alongside “Happy” (from Despicable Me 2), “Ordinary Love” (Mandela: Long Walk to Freedom) and “The Moon Song” (Her). READ FULL STORY
Philip Seymour Hoffman provided a litany of these, having paid his dues over many years as a working actor — making even small roles seem impressive. That’s how we eventually came to know his name.
After his death yesterday, EW began looking back through some of these early performances — his debut as a wise-ass street kid on a 1991 episode of Law & Order, and his supporting role as the morally ambiguous best friend of Chris O’Donnell’s character in 1992′s Scent of a Woman.
Looking up that particular part, we spotted something surprising in one of his early scenes. In the game of finding a future film star in a background role, this scene from Scent of a Woman turned out to be a double.
Hoffman is not just sharing the screen with O’Donnell, as they try to distract an older teacher from witnessing a prank being set up over the headmaster’s parking space. Hoffman is also acting opposite a current Oscar-nominee: Nebraska‘s June Squibb.
We reached out to her via her son, filmmaker Harry Kakatsakis, to see if she had any memories of Hoffman to share.
It was a big night for Disney at the Annie Awards on Saturday, as Frozen took the best picture prize and the retro-futuristic 3-D Mickey Mouse film Get a Horse! claimed the title of best short.
Meanwhile, at the American Society of Cinematographer Awards, Emmanuel “Chivo” Lubezki collected the top honor for Gravity, a groundbreaking hybrid of real actors, digital visual effects, and 3-D.
All three are leading contenders for the Oscars on March 2.
Spike Jonze’s philosophical sci-fi love story Her, and Billy Ray’s harrowing true-life hostage saga Captain Phillips earned best original and adapted screenplays, respectively, from the Writers Guild Awards on Saturday.
In the original category, Her was facing its four rivals for the Oscar: American Hustle, Blue Jasmine, Dallas Buyers Club, and Nebraska, so its victory can be seen as a strong harbinger of where the Academy Award could go on March 2. In anecdotal sampling of Academy members, EW’s Prize Fighter has also determined that Her is far and away the front-runner for this category.
The WGA’s predictive powers are less assured in the adapted category, since guild rules excluded some top Oscar contenders this year.
Three days after yanking the Original Song nomination from the religious period-drama Alone Yet Not Alone, the Academy of Motion Picture Arts and Sciences has issue a more detailed explanation about why the theme song was disqualified.
At issue was composer Bruce Broughton, a former governor of the group’s music branch, who acknowledged that he privately emailed members of that voting division and asked them to consider his song from the relatively obscure movie.
Meanwhile, Broughton is questioning whether what he did was any different than the past award-season consulting done by the current Academy president, who comes from a background in marketing and public relations.
Since every film is hyped and promoted in some way, the Academy is now explaining why his actions were deemed improper — saying he directly reached out to nearly one-third of the voters in his field, and used his position as a leader to gain an advantage that other contenders didn’t have.
“The Academy takes very seriously anything that undermines the integrity of the Oscars voting process,” Saturday’s statement read. “The Board regretfully concluded that Mr. Broughton’s actions did precisely that.”
Alone Yet Not Alone has some company.
The obscure religious drama, which had its Academy Award nomination for Best Original Song revoked over allegations of improper campaigning, is one of the few films in history to suffer such a fate.
In one case, the film actually won the Oscar — and the victory was overturned after the fact and awarded to the runner-up. And in another — the earliest in the organization history — no one is sure why the film was rejected from consideration.
UPDATED: While the Academy of Motion Picture Arts and Sciences disputes that some crediting and nominating issues of the past amount to a revoked nomination, here are some they cite as examples of contenders whose shots at the trophy were brought to a halt:
It was a contender, yet not a contender.
In a shocking and extremely rare move, an Academy Award nominee for original song has had its nomination pulled amid accusations of electoral impropriety.
Alone Yet Not Alone, the theme song from a little-seen film with the same title, was the headscratcher of nominations morning two weeks ago. Few had heard of it before it secured a coveted place among the top five movie songs of the year.
Now it’s out of the race completely as the Academy of Motion Picture Arts and Sciences rules that its composer, a former governor of the music branch and current member of its executive committee, took advantage of his leadership position to improperly lobby fellow members of the branch.
One of the most up-in-the-air Academy Award races in memory just got even more unpredictable. For the first time in its 25-year history, the Producers Guild Awards—generally considered the most reliable predictor of which film will take home the Best Picture Oscar—ended in a tie. Alfonso Cuarón’s Gravity and Steve McQueen’s 12 Years a Slave shared the group’s prize for Best Picture at Sunday night’s ceremony.
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