Much has been made of 2014’s lagging box-office results, but that hasn’t stopped theater owners from charging a premium for a seat this summer.
Tag: Box Office (1-10 of 1121)
Gone Girl may have had a cozy two weeks at the top of the box office, but there’s a new contender in town: Fury. Brad Pitt stars in the David Ayer-directed WWII pic that’s expected to march to the top spot by the weekend’s close, in spite of the crowded adult-targeted market.
The Guillermo del Toro-produced animated pic The Book of Life hits theaters this weekend, too, as does the weepy Nicolas Sparks adaptation The Best of Me. Jason Reitman’s Men, Women, and Children also expands nationwide after two uninspiring weeks in limited release.
Here’s how things might play out.
Despite an impressive showing, Dracula was no match for Amazing Amy, even in her second weekend in theaters. David Fincher’s adaptation of Gone Girl took the top spot again, only falling 30 percent from its debut weekend, with an estimated $26.8 million. The Fox pic, which cost around $61 million to produce, has grossed $78.3 million domestically so far and looks poised to go on to be Fincher’s highest earner (The Curious Case of Benjamin Button holds the current title with $127.5 million).
Universal’s Dracula Untold, an origin story of the classic character starring Luke Evans, opened in second place with $23.5 from 2,887 theaters, including IMAX ($4 million from 351 screens) and large format screens. The PG-13 rated fantasy cost around $70 million to produce and has already made $62.6 million from 42 territories internationally. Audiences, which were 57 percent male and 39 percent under age 25, seemed to enjoy the dark tale, too, giving it an A- CinemaScore. “It’s better than anyone expected in the industry. With exit polls as strong as they were, it’s promising,” says Universal’s president of domestic distribution Nikki Rocco. “We’re very pleased with the result.”
Amazing Amy has a new foe to reckon with this weekend. Universal and Legendary’s Dracula Untold (Cinema Score: A-) edged out Gone Girl for the No. 1 spot, Friday. Starring Luke Evans as the classic bloodsucker, Dracula Untold took in around $8.9 million, Friday (including Thursday showings), while David Fincher’s Gone Girl earned an estimated $8.15 million. It could be a tight race to No. 1, but tracking suggests that Gone Girl may end up the victor with $26 or $27 million this weekend and a $3 million lead over Dracula.
David Fincher’s popular psychological thriller could hold down the top spot for the second weekend in a row, with that demon doll close behind, but it’s going to be a tight race with The Judge, Dracula Untold, and Alexander and the Terrible, Horrible, No Good, Very Bad Day. The adultery thriller Addicted also opens in around 800 locations, and there’s a slew of great limited release choices debuting too, including the buzzy Sundance sensation Whiplash.
Here’s how things might play out.
Gone Girl and Annabelle ruled the box office this weekend with stunning debuts. David Fincher’s critically adored adaptation of Gillian Flynn’s bestseller earned an estimated $38 million from 3,014 screens for Fox (a career high for Fincher), while Warner Bros./New Line’s Annabelle, a spinoff of last year’s horror hit The Conjuring, took in an impressive $37.2 million from 3,185 screens. Studios and analysts had expected both to open in the mid $20 million range.
It’s striking that both were slapped with underwhelming B CinemaScores, suggesting that, though audiences turned out in droves for both R-rated pics, neither really lived up to expectations. Also, while the weekend earnings are quite similar, and could very well shift slightly by the time Monday actuals come in, these are two very different kinds of successes.
Though that terrifying doll from The Conjuring took first place on Friday with an estimated $15.5 million, it’s likely that David Fincher’s well-regarded adaptation of Gillian Flynn’s bestseller will inch ahead when the weekend totals are tallied. Poorly reviewed horror movies do not age well, even across a single weekend. Interestingly, audiences gave both Annabelle and Gone Girl a B CinemaScore, suggesting that neither lived up to their expectations.
It’s a battle of the R-rated thrillers at the box office this week, and though both Gone Girl and Annabelle are tracking similarly, it looks like David Fincher’s literary adaptation may have an edge in both the short and long term.
The Christian-themed action pic Left Behind also opens in under 2,000 theaters, and, as with most faith-based releases, its success or failure is somewhat of a wildcard. Industry tracking can never seem to get a solid handle on the Christian market.
Here’s how things might play out.
Lots of high fives at the Sony offices today, as their don’t-mess-with-Denzel-Washington revenge flick The Equalizer walked away with a $35 million opening. “We’re really, really happy, but we were very bullish on the movie,” says Rory Bruer, Sony’s President of Worldwide Distribution. “It’s a film that we all love and it just delivers in a big way. Denzel couldn’t be more terrific in the role – you can’t take your eyes off this guy.” The movie’s success—director Antoine Fuqua’s best opening to date, Washington’s third best—is a testament to audience’s appreciation of Washington in tough lone wolf roles. Reviews were decidedly “eh”, but audiences gave the film a hearty A- CinemaScore. (Women too like their Washington on the fearsome side; females made up 48 percent of the audiences.) The Equalizer fared well in its IMAX release as well, playing on 352 domestic screens and raking in a global IMAX cume of $5 million.
Washington left the other new releases in the dust. The Boxtrolls collected $17.25 million, thereby narrowly ceding the No. 2 spot to last week’s No. 1 The Maze Runner. (The YA adaptation dropped 46.2 percent from last weekend, pulling in $17.5 million. That brings Maze Runner‘s domestic tally to just over $58 million.) Folks behind The Boxtrolls, the first animated film since July, have reason to cheer. The fantastical film, which benefitted from the voices of Tracy Morgan, Toni Collette, Elle Fanning, and Ben Kingsley, marked the best debut for animation studio LAIKA (Coraline, Paranorman) and should continue to play well to family-friendly audiences.
Meanwhile audiences craving adult dramedy helped This Is Where I Leave You, the star-studded adaptation of Jonathan Tropper’s tragicomic novel, helped keep the movie afloat. In it second week of release the film pulled in $7 million, dropping just 39 percent to hold onto the No. 4 spot.
Rounding out the top five is the earnest-hearted Dolphin Tale 2—starring dolpjins, some innocent-faced children and Morgan Freeman in a snazzy fedora—which squeaked out $4.8 million. Liam Neeson has been on a great roll lately but his latest shoot-em-up A Walk Among the Tombstones dropped out of the top 5, plunging a whopping 67 percent in its second week of release and limping away with $4.2 million. That brings the violent film’s domestic total to $20.9 million.
In limited release, CBS Films gay and labor rights movie PRIDE grossed an admirable $84,791 in six locations. Armed with a solid A CinemaScore, look for word-of-mouth to grow.
Top Five Films of the Weekend:
The Equalizer — $35 million
The Maze Runner — $17.5 million
The Boxtrolls — $17.25 million
This is Where I Leave You — $7 million
Dolphin Tale 2 — $4.8 million
Denzel Washington and director Antoine Fuqua continue to make an unstoppable duo. The Equalizer, starring a fierce Washington as a former black ops agent drawn back into the game by a troubled prostitute (Chloe Grace Moretz) who’s targeted by Russian gangsters, raked in an impressive $12.6 million on Friday. Early bets from Sony low-balled first weekend numbers in the high 20-millions range. Estimates now suggest the movie will pull in closer to $36 million by weekend’s end, buoyed by Washington’s reliable charisma and A- CinemaScore reviews. A sequel is already in the works, which would be the first of Washington’s long and impressive career.
Meanwhile, the weekend’s other wide The Boxtrolls, Focus and Laika’s offering about some fantastical creatures who tenderly raise an orphaned human boy, landed third place with $4.93 million. The stop-motion animated film is looking to pull in a $16 million weekend kitty, which is right in line with studio predictions. It’ll have a shot at grabbing the No. 2 spot if kids turn out as expected on Saturday and Sunday.
In its second week of release, the YA adaptation The Maze Runner pulled in $5.2 million, on track for a $16 million opening. The family drama This is Where I Leave You, an adaptation of Jonathan Tropper’s sharp opus of messy grown up siblings gathered together in mourning, takes the fourth spot with $2.2 million and Liam Neeson’s A Walk Among the Tombstones tip toes down to fifth with a modest $1.3 million. Parents looking for some down time keep Dolphin Tale 2 afloat. The wholesome sequel ties at No. 5 with the grisly Walk.
1. The Equalizer — $12.6 million
2. The Maze Runner — $5.2 million
3. The Boxtrolls — $4.9 million
4. This is Where I Leave You — $2.2 million
5. A Walk Among the Tombstones — $1.3 million
5. Dolphin Tale 2 — $1.3 million
Check back here tomorrow morning for a full weekend report.
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