Writers have been documenting the incredible shrinking movie star for decades. Google “the last movie star,” and not only will you find serious musings about George Clooney, Will Smith, and Tom Cruise, but thoughtful ones about Elizabeth Taylor. Hyperbole about imminent extinction aside, movie stars have shrunk as the films have grown bigger and louder. Just look at the box-office results from last year. Thirteen of the top 15 films were sequels, franchise starters, or animated films that don’t always require or even want stars. So far this year, The Hunger Games has proven once again that you don’t need a huge international star like Smith, Cruise, or Brad Pitt to mint box-office millions, and The Avengers cruised past a billion dollars with stars predominantly of Marvel’s own creation. Meanwhile, Johnny Depp, one of the other famous faces currently chiseled in Hollywood’s hypothetical Mt. Rushmore, learned that makeup, eccentricity, and Tim Burton do not always connect, as Dark Shadows opened poorly and is limping home. It all begs the question: Are movie stars still essential? And as the current class of elite stars inches towards 50, who is poised to save the planet and catch the bad guy while kissing the girl? READ FULL STORY
Tag: Brad Pitt (41-50 of 83)
I wasn’t nearly as wild as a lot of critics about The Assassination of Jesse James by the Coward Robert Ford — I thought it was too long, too arty and slow, too in love with its moods and images. Yet it was clear that the director, the New Zealand-born Australian Andrew Dominik, was very gifted. Whenever Brad Pitt appeared as Jesse James, the screen vibrated with menace, even though Pitt seemed to be doing almost nothing. As good as he had been before (in, say, Fight Club), I thought that the Jesse James performance was the place where Pitt took the full leap to who he is today — a top-of-his-game Hollywood actor who infuses star aura with complexity. In Killing Them Softly, Dominik’s first feature since The Assassination of Jesse James, Pitt once again plays a quietly powerful sociopath, and once again the screen vibrates. The thing about Pitt’s charismatic badasses — and this is what a lot of haters still miss about him as an actor — is that although they radiate a certain brawny physical fearlessness, they draw their strength from Pitt’s intelligence, his quicksilver-cool line readings and aura of awareness. READ FULL STORY
Cannes 2012 preview: Brad Pitt, Nicole Kidman, and Kristen Stewart bring Hollywood glitz to the French Riviera -- VIDEO
Since its inception in 1947, the Cannes Film Festival has been the ne plus ultra of international cinema, but rarely has the festival featured quite so many American filmmakers and Hollywood movie stars. The 2012 Cannes festival gets underway on Wednesday with the opening film, Wes Anderson’s Moonrise Kingdom, and over the course of the subsequent 11 days, the festival will premiere films starring (deep breath) Brad Pitt, Nicole Kidman, Reese Witherspoon, Kristen Stewart, Zac Efron, Shia LaBeouf, Robert Pattinson, Kirsten Dunst, Tom Hardy, Amy Adams, Viggo Mortensen, and Matthew McConaughey (in two movies!), with filmmakers like Anderson, Lee Daniels, and John Hillcoat screening their films in competition for the first time. Meanwhile, DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted and the HBO TV movie Hemingway & Gellhorn are both premiering out of competition.
EW’s Owen Gleiberman will be detailing all his thoughts on the great and not so great at Cannes, but here’s a quick primer on what’s likely to light up the famed Croisette, in chronological order of their big premieres inside the cavernous Grand Théâtre Lumière. READ FULL STORY
Cannes announced its complete line-up for the 2012 festival. As previously reported, Wes Anderson’s Moonrise Kingdom will open the festival, which runs from May 16-27. Other films in contention for the prestigious Palme d’Or include David Cronenberg’s ultra-violent Cosmopolis, Brad Pitt’s upcoming Killing Them Softly, Lee Daniels’ Precious follow-up The Paperboy, John Hillcoat’s Lawless, Eva Mendes starrer Holy Motors, and films from Abbas Kiarostami, Ken Loach, Michael Haneke, Alain Resnais, and Walter Salles.
Highlights beyond the Palme d’Or race include Sundance favorite Beasts of the Southern Wild, Ken Burns doc The Central Park Five, Madagascar 3: Europe’s Most Wanted, Clive Owen and Nicole Kidman starrer Hemingway & Gellhorn, and films from Bernardo Bertolucci and Dario Argento. Claude Miller’s non-competing Thérèse Desqueyroux will close the ceremonies. Click through for the full list. READ FULL STORY
• District 9 star Sharlto Copley is in early talks to play the main villain in Spike Lee‘s English-language version of the South Korean cult classic thriller Oldboy. He’d join Josh Brolin and Elizabeth Olsen. [Variety]
• Kevin Hart is considering joining the comedy Con Ed, about two escaped cons who evade capture by posing as college frat boys. Charles Stone III (Drumline) will direct. [Variety]
Casting Net: Donald Glover to appear in Spidey’s bedroom, Elle Fanning may join movie musical
Casting Net: ‘Iron Man 3′ gets its villain, and Steve Carell may have a ‘Very Bad Day.’ Plus: Selena Gomez, Jennifer Aniston, Tom Hanks
Casting Net: Aziz Ansari to play Aziz Ansari in ‘The Apocalypse.’ Plus: Terrence Howard, Ron Livingston, Sam Shepard
Jonah Hill and James Franco will star in the movie adaptation of Michael Finkel’s memoir, True Story, Deadline reports. Hill will play Finkel, a New York Times Magazine writer who was fired in 2002 for fabricating parts of a story right as an Oregon man named Christian Longo (Franco), who was wanted for killing his family, was captured in Mexico — where, oddly enough, he’d assumed Finkel’s identity. Longo would only give his story to the real Finkel, who visited, phoned, and wrote Longo to learn the truth about the fugitive’s family. The movie will be produced by Hill’s Moneyball costar Brad Pitt’s production company, Plan B.
It was back in August when news broke that The Help director Tate Taylor was circling an adaptation of the 2002 novel Peace Like a River, about an 11-year-old asthmatic boy who goes on a cross-country search with his sister and father for his older brother who has been charged with murder, to be produced by Brad Pitt’s Plan B. But Pitt’s been waiting longer than that to bring the story to the screen. Peace Like a River was the second project Pitt bought when he started Plan B in 2002. “The first one was The Departed. The second one was this one, and it’s just taken awhile for it to gestate and find the right guy to tell it,” Pitt told us at the Producers Guild Awards on Saturday.
Any chance will be seeing Pitt take the director’s chair anytime soon? “Hell no. Not interested. Not my thing,” he said.
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