While some unofficial photos of the Millennium Falcon from Star Wars Episode VII have been popping up, there hasn’t yet been an official look at Han Solo’s hunka junk … until now. And with it comes the appearance of another famous vehicle, though not one fans may have expected.
Tag: Christopher Nolan (1-10 of 71)
Much of Interstellar may still be shrouded in mystery, but one thing is clear: Matthew McConaughey’s engineer is front and center on a venture into space to save Earth.
Christopher Nolan made his first-ever appearance at Comic-Con this year, promoting his new film, Interstellar. The Dark Knight director took the opportunity to present a trailer for the Paramount/Warner Bros. film, and now that clip has been released online.
Set to music presumably by the film’s composer Hans Zimmer, the new trailer showcases Interstellar‘s stunning visuals and focuses on the relationship of Matthew McConaughey’s character with his children. In the film, McConaughey plays an engineer who, along with several other scientists and astronauts, journeys through a newly discovered wormhole to save the world.
The film also stars Michael Caine, Jessica Chastain, and Anne Hathaway. Interstellar hits theaters November 7.
Comic-Con fans may want to spin a top to make sure they’re not dreaming: The man behind Inception and The Dark Knight trilogy, Christopher Nolan, made his first-ever appearance at the San Diego fan convention Thursday to show off his upcoming sci-fi epic Interstellar.
Entertainment Weekly editor Matt Bean introduced the film’s leading man, Matthew McConaughey, to the crowd of more than 6,000 con-goers packed into the event’s fabled Hall H—the biggest venue at the biggest entertainment gathering of the year. After coaxing some cheers from the audience, responding with his signature “Alright, alright, alright …” the Oscar winner then welcomed Nolan to the stage. READ FULL STORY
The first movie that comes to mind after watching the first revealing trailer for Christopher Nolan’s Interstellar is Contact. No, Matthew McConaughey doesn’t play a hunky spiritual philosopher like he did in that 1997 film, but his hunky rural engineer has a special bond with his daughter not unlike the one shared by Jodie Foster and David Morse. This time, the roles are reversed, though, with the father rocketing through time and space.
In the clip, audiences finally learn the stakes driving Nolan’s latest movie, which he wrote with his brother, Jonathan Nolan. Basically, the Earth is running out of food, as environmental change seemingly has transformed the planet into a giant dust-bowl. “We must confront the reality that nothing in our solar system… can help us,” says Michael Caine’s professor, who aims to recruit McConaughey’s Coop for a vital mission. “We’re not meant to save the world; we’re meant to leave it.”
We’ll have to wait longer to understand why McConaughey is chosen, but he reluctantly volunteers to be one of the interstellar astronauts (along with Anne Hathaway) sent into the void to save mankind. Will he make it back to his daughter, Murphy?
Watch the clip below: READ FULL STORY
Christopher Nolan’s Interstellar is cloaked in the director’s typical veil of secrecy, but the new poster for the Earth-based science-fiction film at least sets the tone with the tagline “Mankind was born on Earth. It was never meant to die here.”
The film, which stars Matthew McConaughey, Jessica Chastain, Anne Hathaway, Michael Caine, and Ellen Burstyn, is rumored to be about space exploration through time-jumping wormholes. READ FULL STORY
Christopher Nolan chats 3-D, 'Interstellar,' and his newfound love for Matthew McConaughey at CinemaCon
Christopher Nolan has never been one to reveal much in interviews, especially ones conducted while he’s in the middle of post-production on a film. So it’s lucky Hollywood Reporter film critic Todd McCarthy got as much out of the secretive director, who is currently finishing up his first cut of his new film Interstellar, as he did during the CinemaCon lunch Wednesday.
What we did learn: Nolan is holding steadfast in his commitment to shooting on film, despite the industry’s overwhelming conversion to digital projection. (In fact, Paramount Pictures — the distributor of Nolan’s film — is making an exception by releasing the movie in film and digital. Most of its other releases will debut only in the high-tech format.)
Also, Nolan is not yet convinced of 3-D movies, primarily because he believes it limits “the shared audience experience.” However, the director was particularly impressed by Baz Luhrmann’s use of the extra dimension in The Great Gatsby. “I thought the 3-D was an absolutely extraordinary thing to see,” he said during the lunch, attended primarily by theater owners and technology companies. “My resistance to 3-D is what I think is right for the things I want to make.”
Nolan — who has cast Matthew McConaughey in his upcoming space story, due Nov. 7 — says he was convinced of the recent Academy Award winner’s range after seeing an early cut of his work in Jeff Nichols’ 2012 film Mud. “I admired him as a movie star and I knew he was a good actor, but I didn’t know how much potential he had until I saw that early cut. It was a transformative performance,” he says.
While Nolan wouldn’t reveal much about what McConaughey’s character does in his upcoming movie, he did say he “plays an everyman, someone who is relatable, someone the audience could experience the extraordinary events of the film with.”
And hiring McConaughey made this year’s Oscar season a bit more conflicted for the director, who reminded the audience that he had worked with three of the five Best Actor nominees in his past movies: McConaughey, Christian Bale (The Dark Knight), and Leonardo DiCaprio (Inception). “I didn’t know who to root for,” he said with a laugh.
While spare with the details, Nolan’s new film seems to be bringing out the nostalgia in the 43-year-old director. Raised in both the U.S. and London, he remembers seeing Stanley Kubrick’s 2001: A Space Odyssey when he was 7 years old and it being an indelible experience. “I remember the feeling of magnitude and otherworldly experience. I remember the feeling of how big the screen was,” he says. “I had no idea what the film meant, but I had this extraordinary time being taken away to another world.”
That experience clearly stayed with the director, who said he wanted to re-create the tone of “the golden age of blockbusters” that he experienced when he was a child.
“Family film [back then] could be very broad-based and universal in its appeal. It’s something I want to see again, in terms of the tone of the film. It’s not just a film that someone watches, but has an experience. It harkens back to films I grew up with — films that took me to the place I had never imagined.”
“Imagine a machine with a full range of human emotion. Its analytical power will be greater than the collective intelligence of every person in the history of the world,” Johnny Depp tells a captivated audience in the first full trailer for Transcendence, the directorial debut of longtime Christopher Nolan DP Wally Pfister.
When the anti A.I. group RIFT attacks a series of intelligence centers, Depp’s character is one of the casualties, suffering a radiation-laced bullet wound. From there, things get ugly and desperate as his fellow scientists try to reanimate him by uploading his consciousness.
Transcendence also released two new teasers for the film. They offer little in the way of plot, characterization, or imagery, but actually do manage to go a long way towards immersing us in this imagined world. “What happens when artificial intelligence becomes self-aware?” Morgan Freeman asks in his perfect narrator baritone in the first teaser. “Is it the key to immortality, or is it the path to annihilation?” And you thought Inception was a mindf–k.
Check out the three spots below.
There are a lot of bat-goodies contained within the 90 minutes of new special features on Warner Bros.’s new Dark Knight Trilogy Ultimate Collector’s Edition Blu-ray. (Try saying that three times fast.) But this clip could very well be the collection’s coolest moment. It’s pre-Batman Christian Bale! Doing a screen test for Batman Begins! Wearing Val Kilmer’s old batsuit from Batman Forever. And acting opposite… Amy Adams! (Don’t get too glum thinking about what might have been, Katie Holmes haters — she was only there as a favor to the movie’s casting director.)
As the video proves, Bale’s rumbly batvoice was there from the very beginning — before the beginning, even. “He had decided that Batman had to have a different voice… that he had to put on a voice,” director/co-writer Christopher Nolan explains over footage of the screen test.
And evidently, that simple acting choice was a major factor in Bale’s ultimate casting. READ FULL STORY
A chapter has officially closed in the Batman mythology. Christian Bale retired the cowl, Ben Affleck now inherits the suit and will next fight Superman, and Christopher Nolan may be playing a diminished role in the hero’s future as Warner Bros. and DC Comics set the table for a Justice League movie. So it’s the perfect time to look back and celebrate what Bale and Nolan did with their Batman trilogy, resurrecting the character from neon-saturated camp after Joel Schumacher and George Clooney’s 1997 debacle, Batman & Robin. Beginning with Batman Begins in 2005 and punctuated by The Dark Knight in 2008, Nolan literally reinvented the superhero genre, planting a flawed hero in a recognizable physical and moral landscape that made room for ambiguity, political commentary, and literary subtext.
On Tuesday, Warner Bros. puts a bow on its Dark Knight Trilogy with an Ultimate Collector’s Edition Blu-ray set. There’s 90 minutes of new special features, including a conversation between Nolan and the godfather of superhero epics, Superman‘s Richard Donner, and a special featurette about the creation and the impact of the series. In an exclusive video from the latter video, titled “The Fire Rises,” Nolan explains his obvious-only-in-hindsight take on the material and how it took only 15 minutes to get a “Yes” from the Warner Bros brass. READ FULL STORY
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