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Tag: Dakota Fanning (1-6 of 6)

'Night Moves' trailer: Jesse Eisenberg has a problem

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The trailer for the new thriller Night Moves doesn’t answer many questions.

The film, directed by Kelly Reichardt (Wendy and Lucy) and starring Jesse Eisenberg, Dakota Fanning, and Peter Sarsgaard, centers on three environmentalists who plot to blow up a dam. (Man, Eisenberg’s eco-happy Modern Family character really took a turn!) As the plan unfolds, cracks begin to emerge among the trio and paranoia runs rampant. The first trailer showcases the movie’s eerie atmosphere, highlighting the gang’s deliberate decisions as well as the uncertainty they feel as their dangerous scheme progresses.

Watch the surprisingly Bob Seger-free trailer below: READ FULL STORY

Casting Net: Jennifer Lawrence to star in 'East of Eden'; Plus, Theo James, and more

Oscar-winner Jennifer Lawrence is set to star in Universal’s adaptation of John Steinbeck‘s classic novel East of Eden. Lawrence will re-team with her Hunger Games director Gary Ross for the project, which Brian Grazer is producing through Imagine Entertainment. The novel was previously adapted for the big screen in 1955 by Elia Kazan, and starred James Dean. Ross and Lawrence are also looking to work together on an adaptation of Hannah Kent’s Burial Rites. [Deadline]
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Sundance 2013: Dakota Fanning and Elizabeth Olsen are 'Very Good Girls' -- VIDEO

At a Sundance Film Festival remarkable for its strong female perspective, Very Good Girls might be the most earnest and accessible of those films. It’s the coming-of-age story of two Brooklyn teenagers (Dakota Fanning and Elizabeth Olsen) who are determined to lose their virginity before the summer after their senior year of high school ends. They both fall for the same boy, but there are no hijinks; this is no distaff version of American Pie. “What I wanted more than anything was it to be a fly on the wall experience,” says writer-director Naomi Foner, who makes her directorial debut after a long career as a successful screenwriter (Running on Empty). “We’re there with these girls as these things happen. I wanted nothing more than for women of all ages to walk into it and to feel ‘Oh, yeah I remember that,’ or ‘I see that,’ or ‘I can do that.’ And have a model for themselves of some sort. And I didn’t want to do it in way that’s silly.”

If it had been sillier or crass, Foner might have had an easier time getting it made. She initially wrote the script 20 years ago, and nearly had a go-picture a few years back, but the financier flinched because the two actresses Foner had recruited weren’t big enough: Kristen Stewart and Jennifer Lawrence. READ FULL STORY

Casting Net: Rosario Dawson joins thriller 'Queen of the Night.' Plus Dakota Fanning, Chloë Moretz, and Peter Facinelli

Rosario Dawson will join Ryan Reynolds to star in the thriller Queen of the Night, about a father looking for his kidnapped daughter, who has been missing for years. Directed by Atom Egoyan, known for Chloe and The Sweet Hereafter, Dawson will play a detective in the case. The Canadian director is expected to begin shooting the film in February in Ontario. [The Wrap]

• In a video interview with Collider, Dakota Fanning slips up and tells them that she’s been cast in the late in life Errol Flynn biopic, The Last of Robin Hood, from the writing and directing team of Richard Glatzer and Wash Westmoreland. Kevin Kline has been set to play Flynn for months, and Susan Sarandon will play Florence Aadland, the mother of Flynn’s 17-year-old girlfriend, Beverly. [Collider]

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In 'Foxes' and 'Light of Day,' the real Cherie Currie and Joan Jett revealed more about themselves than 'The Runaways' does

currie-jettImage Credit: Everett CollectionA number of readers have ripped me for writing an entire review of The Runaways in which I somehow failed to include a single word about Dakota Fanning’s performance. You’re right, point taken, I should have. All right, here goes: She was perfectly okay. Actually, when I realized that I’d written the review that way, I just figured that I’d let my lack of comment on Fanning’s performance stand as an implicit statement that there wasn’t all that much to say about it. She’s quite the critics’ darling these days — always has been, really — but to me, Dakota Fanning, as she’s grown up, has turned into a slightly odd actress, luminous and emotionally delicate but also passive and a bit spaced. She’s gifted, but as a presence she’s not all there.

In The Runaways, she plays Cherie Currie as a put-upon nice girl who worships David Bowie (and gets pelted with wads of paper at school for it!), then learns how to snarl and cock her body on stage like a real punk she-devil. Yet somehow, through all the drugs and girl fights and bleary, sleepless tour dates and leering of the boys in the audience and abuse piled upon her by the group’s domineering packager-producer-manager-Svengali-tormenter, Kim Fowley (Michael Shannon), Cherie manages to retain the wispy essence of her wayward-ingenue innocence. Fanning has one good scene near the end where Cherie is blasted on drugs and tries, without any luck, to purchase a bottle of liquor; her slovenly, impotent fury at the sales people is startling. But up until then, Fanning’s competent, rather wan acting fits all too neatly into the film’s pious, slightly sanitized vision of Cherie Currie as a sweetly alienated, emotionally neglected Los Angeles girl who got put through a pop-culture meat grinder.

Yes, that’s kind of what happened, but if we really want to be progressive (and truthful) about it, let’s also give the members of the Runaways credit for being the young women they chose to be, even if they were just babe-in-the-urban-woods teenagers. From all the sources I’ve encountered (including the memoir on which the movie is based), the real Cherie Currie was, and still is, a pistol, a girl who got herself into heaps of trouble because she eagerly sought it out. READ FULL STORY

Sundance: Kristen Stewart and Dakota Fanning rock out in 'The Runaways,' but the movie itself is no knockout

From the moment I arrived at Sundance, the movie that more or less everyone, including me, wanted to see most was The Runaways — and not just because it offered the chance to see whether Kristen Stewart, as Joan Jett, could leave her swoony Twilight mopiness behind her and play a rock & roll princess with down-and-dirty spunk. (Verdict: She can.) It’s also because the Runaways, a packaged group of choppy-haired teen-glam feline punkettes from L.A. who, in 1976, did for girls playing power chords what the Sex Pistols did for beer-spewing anarchy, may seem cooler now than they did then. In hindsight, they blazed quite a trail, but they didn’t have many good songs — and even their best one, “Cherry Bomb,” never quite broke free of their jailbait novelty-act image.

The most entertaining thing about the movie is that its writer-director, music-video veteran Floria Sigismondi (making her feature debut), has a sixth sense for how the Runaways were an image first and a rock & roll band second. READ FULL STORY

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