Tag: David Fincher (1-10 of 34)
With this weekend’s release of Gone Girl, director David Fincher has once again showcased the unsettling sounds of award-winning composers Atticus Ross and Trent Reznor (above). Ever since 2010’s The Social Network, the duo have become a fixture of Fincher’s work. The duo’s deceptively minimal sound, with subtle motifs barely hiding cold electronic undercurrents, is remarkably well-suited for Fincher’s trademark visual aesthetic, in which every smile and doorway can take on an air of menace if the camera lingers long enough. While he has worked with a number of composers before—most notably Howard Shore—Fincher has found a sonic soulmate in Ross and Reznor’s scoring.
But what about the other great director/composer relationships in Hollywood history? What other composers have had their music strongly associated with a director’s work, so much so that you can’t picture a film without hearing the score? READ FULL STORY
“Marriage is hard work,” says Amy Dunne in Gillian Flynn’s Gone Girl.
The longer one has been married, the greater one understands the meaning behind the phrase “honeymoon period.” In David Fincher’s adaptation of Flynn’s bestseller, the magical romance between Nick (Ben Affleck) and Amy Dunne (Rosamund Pike) has hit the wall five years in. They fall in love in New York City, but when they both lose their magazine jobs and his mother falls ill in Missouri, they move to his hometown and quickly drift apart. How far apart? Nick may have murdered her.
When Amy goes missing on the day of the fifth anniversary, Nick is the primary suspect. The local cops can’t believe all the evidence against him, and any sympathy he initially gets from the news media vanishes once some of his secrets come to light.
Flynn, who also wrote the screenplay, worked hard to translate the he-said/she-said storytelling, and Fincher wrings the most out of the film’s twists and turns—even though millions of readers already know when to expect them. “I can’t guarantee that the film’s ending will work for everyone (it was always my one nit to pick with Flynn’s novel),” writes EW‘s Chris Nashawaty. “But I will say this: Anyone who loved Gone Girl the book will walk out of Gone Girl the movie with a sick grin on their face.”
Read more from EW’s review, as well as a roundup of other notable critics, below. READ FULL STORY
Everyone who read Gillian Flynn’s runaway 2012 bestseller Gone Girl quickly had a vision of Amy Dunne in their head. Hollywood was no different: The beautiful blonde who’d been the model for her parents’ popular children’s books, Amazing Amy, who disappeared on the morning of her fifth wedding anniversary, leading to a media frenzy that focused suspicions of foul play on her husband, Nick, could’ve been Reese Witherspoon or Charlize Theron or Emily Blunt. Chances are you didn’t immediately picture Rosamund Pike.
But when the lights come on in the theater after David Fincher’s Gone Girl, don’t expect to hear much second-guessing. Instead, expect some version of, “Who. Was. That?”
Pike so perfectly taps into Flynn’s complex main character, who narrates much of the film, that it’s suddenly difficult to imagine anyone else. And while Pike has been acting in major Hollywood films for more than a decade, Gone Girl might be the first time many casual moviegoers connect the name with a face. Then, working backwards, some may remember her from Jack Reacher, from her role as a vacant party girl in An Education, from playing Ryan Gosling’s new boss in Fracture, from her beautiful reserve as the eldest Bennet daughter in Pride & Prejudice, and from her big-screen debut as a 22-year old in Pierce Brosnan’s last James Bond film, Die Another Day. Clearly, Pike is hardly some overnight success.
“Rosamund was someone that I had seen in four or five different movies over 10 years, and I never got a bead on her,” Fincher said at the New York Film Festival premiere. “I never got a sense of who she was. And I pride myself on being able to watch actors and sort of know instinctively what their utility belt is, and I don’t have that with Rosamund. I didn’t know what she was building off of. There was an opacity there and it was interesting.”
The only child of two British opera singers, Pike graduated from Oxford and acted in theater before segueing into British television, where she was spotted by Bond producers and cast as a Bond Girl named Miranda Frost. (You might remember her fight scene with Halle Berry.) She’s never stopped working, but Fincher was the first major filmmaker to entrust her with a leading role in a big Hollywood production.
With Oscar buzzing growing, Pike might now be elevated to that top rung of actresses whose names will be bandied about the next time a great literary female character is adapted to the screen. She’s already booked her next big project, however, and it’s not a film. She’s expecting her second child with husband Robie Uniacke this November.
Pike spoke to EW about her career, playing Amy Dunne, and the experience of working with David Fincher. READ FULL STORY
Now you can spend your day feeling deeply unsettled: NPR is streaming Trent Reznor and Atticus Ross’ Gone Girl soundtrack in full. As is probably to be expected given the source material and people involved, the music which scores David Fincher’s adaptation of Gillian Flynn’s novel about a missing woman and a toxic marriage is thoroughly creepy. READ FULL STORY
Gone Girl, David Fincher’s adaptation of Gillian Flynn’s best-selling mystery thriller, will open the 52nd New York Film Festival, as first reported by Variety.
The movie stars Ben Affleck as a man who may have killed his missing wife (Rosamund Pike) after they retreat to his hometown in Missouri, following professional setbacks in New York City. Former EW TV critic Flynn wrote the screenplay, and the cast also includes Neil Patrick Harris, Tyler Perry, Patrick Fugit, and Casey Wilson. READ FULL STORY
Casting Net: Rooney Mara and David Fincher circle 'sexpionage' thriller; Plus, 'Insurgent' finds its Uriah, more
• Rooney Mara and David Fincher are reportedly circling the espionage thriller Red Sparrow. The two haven’t worked together since 2011’s The Girl With the Dragon Tattoo. The film will be set in present-day Russia, centered on an intelligence officer who is forced to become a “Sparrow” — someone who basically seduces people for information. She falls for the CIA officer she’s assigned to operate against. Fox is also in talks with Eric Warren Singer, who scripted American Hustle, to adapt the Jason Matthews book. Darren Aronofsky was previously considering the project. [Deadline] READ FULL STORY
The beautiful, brilliant, and “amazing” Amy Elliott Dunne is gone and all accusatory eyes are laser-focused on her too-handsome husband, Nick. It’s a cruel but inevitable outcome when your wife happens to go missing on your fifth wedding anniversary.
In Gone Girl, we’re left to put together the intricate pieces of the mysterious disappearance. Is Amy (Rosamund Pike) dead? Is Nick (Ben Affleck) innocent? Is it that simple? Or is it pointless to speculate since we already know that author Gillian Flynn tossed out her own third act for something completely new?
The first official trailer doesn’t tell us much (would we even want it to?). But, no one creates a thick cloud of anxiety quite like David Fincher.
Check it out after the jump. READ FULL STORY
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