How much money would you require to have a pinkie finger cut off? $22,000? $19,000? $15,000? Those are some of the — rapidly — declining bids featured in the new trailer for the black comedy Cheap Thrills.
Tag: Film (71-80 of 1004)
If you’ve seen the fabulously entertaining Ozploitation documentary Not Quite Hollywood – which tracks the rise of Down Under genre films in the ’70s and ’80s — then you will be familiar with producer and Quentin Tarantino favorite Antony I. Ginnane, the so-called “Roger Corman of Australia” whose output includes the horror movies Patrick, Dead Kids, and Thirst. “But how can I learn more about these films?” I pretend to hear you cry. Well, good news! This month, Severin Films is releasing all three terror flicks in Blu-ray/DVD combo packs (as well as the self-explanatory DVD, Ozploitation Trailer Explosion) which seemed an excellent excuse to call Ginnane and have him talk about them.
Will you celebrate Saint Patrick’s Day by hoisting a Guinness? Or will you instead check out the first clip from Leprechaun: Origins, the out-this-summer horror reboot starring Dylan Postl (aka WWE wrestler Hornswoggle)?
Actually, thinking about it, this isn’t really an “either/or” situation. So may we suggest you order up a pint of the black nectar and, while you’re waiting for the sucker to settle, check out the Hornswoggle-introduced footage below.
Filmmaker Gareth Evans has been responsible for some of the most jaw-dropping images to appear on movie screens over the past few years, thanks to his directing of 2011′s extraordinary action movie The Raid and his co-directing (with Timo Tjahjanto) of the insane “Safe Haven” segment of horror anthology V/H/S/2. So what’s next for the Welsh-born, Indonesia-based auteur? That would be The Raid 2, which expands the universe of the first movie well beyond its one-building locale as rookie Jakarta cop Rama (Iko Uwais) reluctantly goes undercover, and into prison, to take down a criminal empire — and beat the crap out of a whole lot of people.
In the new thriller Grand Piano, a stage-fright-stricken classical pianist (Elijah Wood) is informed he must perform his comeback recital perfectly or get shot to death. Don’t you just hate it when that happens?
Directed by Eugenio Mira (Agnosia) and costarring John Cusack and Alex Winter, the film opens theatrically in New York and Austin, Tx., today. To mark the film’s release, we spoke to Wood about tickling the ivories — and why it pays to hang out in Austin bars.
SXSW: Tobe Hooper talks about the new, restored version of 'The Texas Chain Saw Massacre' -- EXCLUSIVE POSTER
On Monday, March 10, a forty-year-old terror will return to Austin, Tx., when a newly restored version of horror classic The Texas Chain Saw Massacre is screened at the SXSW Festival ahead of the movie’s theatrical rerelease this summer. “It’s great on the big screen,” says filmmaker Tobe Hooper, who cowrote and directed the infamous 1974 film in the countryside outside of Austin, and also worked on the restoration. “It’s in 7.1 sound that completely wraps around you and in 4K [resolution]. The film works as well, if not better, than it originally did.”
Over the past few years, actor Nick Damici has faced off against bloodthirsty virus victims (Mulberry Street), vampires (Stake Land), and cannibals (last year’s terrific We Are What We Are). So what’s next on the agenda for the New York-based thespian and excellent cook? That would be werewolves.
In acclaimed director Adrián García Bogliano’s new horror-drama Late Phases, Damici is a war veteran whose son (Ethan Embry) forces him to move into a retirement community beset deadly animal attacks. “I play a blind 70-year-old guy who moves into a retirement community upstate,” elaborates the actor. “First night he’s there, a werewolf attacks him. And then it’s war — the blind guy against the werewolves.” READ FULL STORY
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