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Tag: Hansel & Gretel: Witch Hunters (1-8 of 8)

Box office preview: 'Identity Thief' will steal No. 1 spot from 'Side Effects'

It’s no surprise that the 2013 box office has been cold in the first few weeks of the new year. That tends to be the case in January, when R-rated horror flicks and long-on-the-shelf action stinkers take up multiplex screens. But this weekend, the film industry is set to get even chillier due to a massive snowstorm that’s expected to bring much of the Northeast to a standstill.

Thus, this weekend’s two new releases, Identity Thief and Side Effects (which, almost unbelievably, are already the 10th and 11th R-rated wide releases of the year), are expected to perform moderately over their first three days in theaters. Here’s how the box office might shake out:

1. Identity Thief – $21 million

Jason Bateman and Melissa McCarthy teamed up for Universal’s $35 million comedy, which will easily top the chart over the Friday-to-Sunday period. Bateman has scored comedic hits with ensemble films like Horrible Bosses ($117.5 million) and Couples Retreat ($109.2 million), but he’s proven unreliable as a main selling point in films like 2011’s The Change Up, which opened with $13.5 million on the way to a $37.5 million total. McCarthy isn’t a tested box office lead, but she became the breakout star of Bridesmaids, and audiences may be curious to see her first leading role on the silver screen. READ FULL STORY

Box office report: 'Warm Bodies' alive and well with $20 million; Sly Stallone's 'Bullet' misfires

Young women drove Summit’s zombie-themed romantic comedy Warm Bodies to the top spot at the box office over Super Bowl weekend, while Sylvester Stallone’s Bullet to the Head got tackled, leaving the action icon with the worst debut of his career.

Warm Bodies, which was financed for about $35 million, earned an estimated $20 million from 3,009 theaters in its first three days. No, that’s not a Twilight-sized number, but no one was expecting Warm Bodies to be the same sort of blockbuster. Sure, they’re both about romances between a teenage girl and an undead boy, but the Isaac Marion novel upon which it is based is certainly popular, but it never experienced the utter ubiquity that the Twilight books did.

Warm Bodies opened with a bit less than the 2009 comedy Zombieland, which debuted with $24.7 million, but its star was in line with the debuts of both Chronicle and The Woman In Black, which opened on Super Bowl weekend last year to $22 million and $20.9 million, respectively. Much like the latter film, Warm Bodies played primarily to young ladies. According to exit polling, the film’s audience was 60% female and 65% under 25.

Warm Bodies earned a solid “B+” CinemaScore grade from crowds, and thanks to relatively strong reviews, its legs may not rot away as quickly as other teen-targeting titles, and a finish in the $50-60 million range seems likely. For star Nicholas Hoult, who has a slew of high profile releases — including Jack the Giant Slayer, Mad Max: Fury Road, and X-Men: Days of Future Past — on the horizon, Warm Bodies is a nice start to his run as a leading man.

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Box office update: 'Warm Bodies' warms up the chart with $8.7 million on Friday

Its main star may be a dead guy, but Summit’s new release Warm Bodies exhibited nothing but life in its first day at the box office.

The zombie-themed romantic comedy (zom-rom-com?) easily topped the chart on Friday with $8.7 million. Last year, the teen superpower adventure Chronicle earned $8.6 million the Friday before Super Bowl Sunday and finished the frame with $22 million. Since Warm Bodies, which is based on the popular novel by Isaac Marion, already has a built-in following, it’s likely that it will be more frontloaded and finish the weekend with about $20 million. Still, that’s a tremendous start for a high-concept comedy that cost about $35 million.

The weekend’s other new wide release, Sylvester Stallone’s R-rated action flick Bullet to the Head, got off to an even worse start than Arnold Schrwazenegger’s The Last Stand did two weeks ago. Bullet to the Head, which cost a reported $55 million, only bulleted a fifth place start with an anemic $1.7 million from 2,404 theaters. The film is headed to a truly terrible $4.5 million weekend.

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Box office preview: 'Warm Bodies' to tackle 'Bullet to the Head' over Super Bowl weekend

It’s Super Bowl weekend, and that means the box office is about to get sacked.

Since much of the American moviegoing public will will be glued to the tube on Sunday to watch the Baltimore Ravens take on the San Francisco 49ers, box office receipts are expected to plummet, though some brave souls will venture out to see this week’s new wide releases: the zombie romance Warm Bodies and Sylvester Stallone’s shoot-em-up Bullet to the Head.

Here’s how the slow frame may play out:
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Box office report: 'Hansel and Gretel' wins with $19M; 'Movie 43' flops with $5M, 'D' CinemaScore

This weekend, Hansel and Gretel: Witch Hunters hunted down the No. 1 spot at the box office with $19 million from 3,372 theaters. Although Hansel and Gretel can hardly be called a fairy-tale success at this point, it proved far more bewitching than fellow newcomers Parker and Movie 43, which were left with only bread crumbs in their sad debut frame.

Paramount and MGM spent $50 million to produce Hansel and Gretel, which was shot in 2011 and originally scheduled to be released in March 2012. Distributor Paramount moved the film’s release to this month to capitalize on star Jeremy Renner, whom the studio hoped would blossom into a true box-office draw following The Avengers and The Bourne Legacy. (It also seems likely that Hansel and Gretel got placed in January due to its poor quality — January tends to be a dumping ground for studios’ stinkers.) Whether or not Renner had anything to do with it, the date change proved at least somewhat effective — Hansel and Gretel outgrossed the last supernatural fantasy with Hunter in the title, Abraham Lincoln: Vampire Hunter, which staked a weak $16.3 million in its debut frame. READ FULL STORY

Box office update: 'Hansel and Gretel' wins Friday with $6 million; 'Parker' and 'Movie 43' bomb

For the second week in a row, three new movies entered cinemas, and only one of them is scoring healthy grosses, leaving the other two to languish right out of the gate.

Almost a year after its originally scheduled March 2012 release, Paramount’s $50 million Hansel and Gretel: Witch Hunters topped the chart on its first Friday with $6.0 million from 3,372 theaters. The poorly reviewed film (a phrase that applies to all this weekend’s new releases) stars Gemma Arteron and Jeremy Renner, but the Avengers star has demonstrated little drawing power as a leading man so far. Hansel and Gretel may take in about $16 million worth of [gingerbread] dough over the full weekend frame. READ FULL STORY

'Hansel and Gretel' red-band trailer: 101 ways to kill a witch

As you digest the bloody new red-band trailer for Hansel and Gretel: Witch Hunters, it’s perhaps worth noting that the much-delayed action movie, starring Jeremy Renner and Gemma Arterton, is produced by Will Ferrell and Adam McKay. The famous Grimm siblings are now accomplished bounty hunters — “We kill witches. What do you do?” says Hansel — but in between the gore, there’s a comic undertone. Note the missing-children drawings on the medieval milk bottles.

I’m guessing Renner wasn’t intentionally referencing Gladiator when his character says, “When you see my signal, you unleash hell,” but even that made me chuckle. Watch the crazy clip below. READ FULL STORY

'Hansel & Gretel' release date pushed back again

Image credit: Paramount Pictures

The release of the action fairytale Hansel & Gretel: Witch Hunters 3D has been pushed back yet again, EW has confirmed. The Tommy Wirkola-directed film starring Jeremy Renner, Gemma Arterton, and Famke Janseen will now hit theaters on Jan. 25.

The film was initially slated for March 2012, then moved to early-January 2013, reportedly to capitalize on the success of Renner’s blockbusters, The Avengers and The Bourne Legacy. This most recent two-week delay coincides with the announcement that Paramount will feature the movie in IMAX theaters, making it 2013’s first new film to debut on the giant-screen venues.

Read more:
‘Hansel & Gretel’ trailer: The Brothers Grimm on steroids
As Paramount redeploys ‘GI Joe 2′ to next spring, is summer the only place for tentpoles?
Megabudgeted blockbusters in trouble

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