Welcome to the world of Inherent Vice: a new trailer sets the stage for Paul Thomas Anderson’s upcoming drug-fueled, California epic based on the Thomas Pynchon novel of the same name. READ FULL STORY
Tag: Josh Brolin (1-10 of 28)
A little over a year before its expected release, Joel and Ethan Coen will soon go behind the lens for their next film.
The directing and writing duo’s next project, Hail, Caesar!, will begin filming on Monday, Nov. 10 in Los Angeles, bringing its all star cast to in-studio sets and on-location shooting around the city. READ FULL STORY
Paul Thomas Anderson’s Inherent Vice, based on Thomas Pynchon’s 2009 crime novel, will debut at the New York Film Festival this October. The film, which reunites the director with Joaquin Phoenix (The Master) and also stars Josh Brolin, Reese Witherspoon, Owen Wilson, and Benicio Del Toro, is scheduled to open in theaters on Dec. 12. READ FULL STORY
Joel and Ethan Coen’s latest project is picking up speed.
In an announcement Monday, Universal Pictures confirmed that they had acquired the worldwide distribution rights to Hail, Caesar!, an original screenplay from the Oscar-winning siblings who will also write and direct the film, which, Deadline reported, centers on a 1950s-era Hollywood “fixer” named Eddie Mannix.
Josh Brolin, who starred in No Country for Old Men and True Grit, will join fellow Coen brothers regular George Clooney (Burn After Reading, Intolerable Cruelty, O Brother, Where Art Thou?) in the pic.
Casting Net: Josh Brolin to voice Marvel's supervillain Thanos; Plus, Anna Camp for 'Pitch Perfect 2', more
• Josh Brolin (No Country for Old Men) is reportedly voicing a CGI Thanos in Marvel’s Guardians of the Galaxy. He’ll be joining fellow voice actors Bradley Cooper (Rocket Raccoon) and Vin Diesel (Groot) in the James Gunn-directed pic, which also stars Zoe Saldana, Chris Pratt, and Lee Pace. Thanos, a nihilistic purple supervillain, was introduced briefly in the post-credits sequence of The Avengers and is expected to be the main foe in Avengers: The Age of Ultron (May 1, 2015), which will be a more prominent role than his Guardians part. EW’s Darren Franich actually proposed Brolin as an option to voice the part back in 2012 — although folks seemed to prefer Gary Oldman, “anybody from Game of Thrones,” Ian McShane, and Ray Winstone to the W. star. [Latino Review] READ FULL STORY
Typically, it’s not considered savvy to open a movie on Super Bowl weekend, what with more than 100 million spending their Sunday afternoon on their sofa, eating nachos, guac, and buffalo wings in front of the Big Game. But Jason Reitman’s Labor Day might qualify as counter-programming. Based on Joyce Maynard’s 2009 novel, the film tells the melodramatic story of a fragile divorcee (Kate Winslet) whose rare excursion out of her house and into town with her 13-year-old son (Gattlin Griffith) is hijacked by an escaped fugitive (Josh Brolin) who demands refuge. But while he looks threatening, he’s a mild soul, and before long, he’s just what the boy and his mother are looking for: a father-figure and a man of the house.
“Once back at the house, Frank ties up Adele, pausing to tenderly caress her foot before spoon-feeding her some chili that he’s whipped up in the kitchen,” writes EW’s Chris Nashawaty. “At this point, even the most voracious reader of Harlequin romances might let out an embarrassed titter. But that’s just a warm-up for what comes next: the peach pie. Ay-yi-yi, the peach pie.”
The peach-pie scene aims to do for pastry what Ghost did for clay, and viewers will either swoon or eye-roll. The earnest romance is a departure for Reitman, the director best known for Juno and Up in the Air, but with another powerful female performance and supporting cast (Tobey Maguire, J.K. Simmons, Clark Gregg, James Van Der Beek), Super Bowl Sunday doesn’t have to be all about football.
Before you head to the theater, read what some of the nation’s leading critics are saying about Labor Day. READ FULL STORY
Dueling Everest movies: Jake Gyllenhaal film begins shooting; Sony's 'The Summit' still in base camp
When it comes to ascending a summit, first to the top usually wins. News this week confirmed that Working Title’s Everest, to be released by Universal, is a go. The film, from director Baltasar Kormákur (2 Guns) began production Monday in Italy, with Jake Gyllenhaal, Josh Brolin, Jason Clarke and John Hawkes playing four of the climbers who attempted the disastrous 1996 ascent of Mount Everest in the Himalayas, only to be thwarted with terrible conditions that led to the loss of many lives.
Now that this film is in production, will it kill a competing Everest film at Sony?
Sony declined to comment on its project, which takes place in the 1920s and chronicles British climber George Mallory’s attempts to scale the world’s tallest mountain. One source close to the production says the studio is still committed to the movie, but the film, which Doug Liman (Mr. and Mrs. Smith) is set to direct after finishing the upcoming Tom Cruise-starrer Edge of Tomorrow, will no longer begin production in the next couple of months as originally planned.
Rather, the start date on the film — which now carries the title The Summit and still has Tom Hardy (Inception) attached to play Mallory and Luke Evans (Fast & Furious 6) to play his Australian rival George Finch — has been pushed to either early summer or perhaps even to 2015.
According to another source, the studio’s hesitation on the project centers on concern over how to sell the the film domestically. Overseas, the film’s prospects appear much healthier considering the storyline and international cast but in the U.S. audiences are often reluctant to give period films a chance.
Complicating matters, a schedule change may force star Hardy to drop out. As reported earlier, Benedict Cumberbatch (Sherlock) is still interested in the lead role should Hardy need to leave.
Sony is also being more cost conscious after a rough 2013 and launching a $60 million movie with a competing film in the pipeline may not look too appealing. Last summer the studio was on the wrong end of dueling White House disaster movies. Their White House Down with Channing Tatum and Jamie Foxx opened at the end of June, earning $73 million. It had followed Film District’s Olympus Has Fallen, which opened in March and grossed $98 million.
Still, sources close to the project says the film, which was scripted by Sheldon Turner (Up in the Air), is still important to the studio.
The trick now is to keep that enthusiasm from falling off the mountain.
Paramount has just released a full-length trailer for Labor Day, the upcoming drama starring Josh Brolin and Kate Winslet that centers on young Henry Wheeler (Dylan Minnette/Tobey Maguire), an adolescent struggling to take care of his reclusive mother, Adele (Winslet), after his father leaves. On a back-to-school shopping trip, they run into Frank Chambers (Brolin), who convinces them to take him home and then reveals himself to be an escaped inmate convicted of murder.
The trailer shows that there might be more to Frank’s story than what’s being said in the papers, and soon a romance forms between him and Adele.
Watch the trailer for Labor Day below:
READ FULL STORY
• One-time Oscar nominee Josh Brolin (Milk) is reportedly in talks to star in Jurassic World, the fourth installment in the dinosaur franchise. Jurassic World has a release date (July 12, 2015), a director (Safety Not Guaranteed‘s Colin Trevorrow), a script in the works, and a few cast members (Bryce Dallas Howard and Iron Man 3‘s Ty Simpkins), but little else is known about the plot or the characters. Brolin has a number of projects scheduled for release this and next year, including Jason Reitman’s Labor Day, Spike Lee’s English-language remake of Oldboy, Sin City: A Dame to Kill For, and Paul Thomas Anderson’s adaptation of Thomas Pynchon’s Inherent Vice. [Deadline]
READ FULL STORY
A paradox of watching special-effects films in the all-fantasy-all-the-time CGI era is that you can go to the movies every week, especially in the summer, and experience things that really ought to seem magical — a man of steel zipping through the air, an endless zombie army shimmying over a wall, cracks opening in the earth as the world ends — and as entertaining as much of this stuff is, none of it, at heart, leaves you truly, deeply amazed, because eye-popping visual miracles have become so routine that they’re simply the new normal. (How far we’ve evolved from the days of “You’ll believe a man can fly!”) But when you watch Gravity, a tale of floating astronauts starring Sandra Bullock and George Clooney, set in what used to be called outer space (and now might be called 600 kilometers over the earth), you may find yourself thinking, over and over again, “How the heck did they do that?” It’s not because you’re seeing anything that’s all that outrageously fanciful. Gravity, though it’s set in space, isn’t really science fiction. It’s a drama built around the technology of space travel as it more or less exists today. What’s astonishing about the film is its hypnotic seamlessness — the way that the director, Alfonso Cuarón, using special effects (and 3D) with a nearly poetic simplicity and command, places us right up there in space along with the people on screen.
Latest Videos in Movies
- 'Survivor' season finale recap: The right one won
- 'Survivor' season finale: 5 Q's for Jeff Probst and a deleted scene
- 'Survivor' season 30 scoop: Jeff Probst shares new details on 'Worlds Apart'
- 'Ascension' finale: Lost in space, or 'Lost' in space?
- 'The Sing-Off' holiday special: One night, six groups, 800 blazers--and the winner is...
- 'The Interview' gets the hook; would a 'prestige' film have been pulled just the same?
- Lily Rabe talks return to 'American Horror Story': 'One of the great, great joys I have'
- 'The 100'; 'American Horror Story: Freak Show'; 'Top Chef'; more TV recaps
- 'Survivor: San Juan del Sur' finale: And the winner is...
- 'Survivor' host Jeff Probst reacts to the winner, Reed's harsh comments, and the entire season
- 'Survivor: Worlds Apart': Jeff Probst gives exclusive intel on NEXT season
- 'Survivor' season finale recap: The Right Person Won
- 'Ascension' finale review: Lost in space, or 'Lost' in space?