If this weekend’s number one movie Dawn of the Planet of the Apes — the second entry in the rebooted Apes franchise — has a spiritual sibling in the original series of films, it is 1972’s Conquest of the Planet of the Apes. While Conquest was the fourth movie in the franchise to arrive in cinemas it is, like Dawn, the second according to the interior timeline of its series and, again like director Matt Reeves’ new film, features an apocalyptic showdown between apes and humans. Thus, it seems appropriate that this weekend Dawn of the Planet of the Apes comprehensively conquered the domestic box office by earning an estimated $73 million, exceeding both expectations and the $54.8 million opening weekend of its predecessor, 2011’s Rise of the Planet of the Apes.
Tag: Oscars (1-10 of 512)
Michael Fassbender and Lupita Nyong’o of 12 Years a Slave were two of the 271 artists and industry leaders invited to become members of the Academy of Motion Picture Arts and Sciences, which determines nominations and winners at the annual Oscars. The entire list of Academy membership—which numbers about 6,000—isn’t public information so the annual invitation list is often the best indication of the artists involved in the prestigious awards process. It’s worth noting that invitations need to be accepted in order for artists to become members; some artists, like two-time Best Actor winner Sean Penn, have declined membership over the years.
The Academy has been criticized in recent years for being too white, too male, too old, and too American; and this year’s class makes efforts to be more well-rounded and international. Hany Abu-Assad, Jean-Marc Vallée, Denis Villeneuve, and Thomas Vinterberg are some of the international directors invited—though they’re all men. Joining Nyong’o in the actors branch are June Squibb, Julia Louis-Dreyfus, and Sally Hawkins, among other women.
Click below for the list of invitees: READ FULL STORY
In an effort to touch base with movie lovers outside of award season, the Academy of Motion Picture Arts & Sciences has launched a new video series talking about all things moving-picture.
The digital documentary series “Academy Originals” kicks off today with three programs about cult fandom (featuring Patton Oswalt and a favorite neo-noir of his), an exploration of how the blind experience movies, and how filmmaker Tina Gordon Chism (Drumline, Peeples) nourishes new ideas.
New videos will premiere every Monday.
NOT MUCH TO SEE
Upcoming Academy Originals will feature Lucasfilm president and Star Wars: Episode VII producer Kathleen Kennedy, Crash filmmaker Paul Haggis, stop-motion animator Phil Tippett, School of Rock screenwriter Mike White and Selma filmmaker Ava DuVernay.
Many of the videos will seek participation from the Academy’s more than 6,000 members, and dive into its archive collection. “Our membership represents the most creative minds and talented storytellers in the world – professionals with incredible expertise to share,” said Josh Spector, who oversees the videos as the Academy’s managing director of digital media and marketing.
Mark your calendars, Oscar-watchers.
After a slightly later presentation this year due to the Winter Olympics, the 2015 Academy Awards telecast has returned to its usual domain on Sunday, Feb. 22 of next year.
The Academy of Motion Picture Arts and Sciences made the announcement today, along with a list of other significant dates that form the backbone of backslapping season.
After John Travolta introduced Frozen singer Idina Menzel as “Adela Dazeem” during Sunday night’s Oscars telecast, the actor didn’t say anything about the incident for almost two days. Now he’s speaking out — and this time, he’s not leaving any room for a slip of the tongue. READ FULL STORY
It has been two and a half long years since the release of the last Human Centipede film — or two and a half very short years, depending on how you feel about the infamous movies, in which people are attached together to form the titular monstrosity. Either way, Dutch writer/director and series overlord Tom Six is now preparing to unleash the third film in the franchise, the U.S.-shot Human Centipede 3 (Final Sequence). So what can horror fans expect from the final installment of this notoriously grotesque and much-parodied series?
Haven’t caught Best Picture winner 12 Years a Slave in theaters yet? You may be in luck.
Steve McQueen’s riveting drama has been in theaters for 20 weeks, but after Sunday’s big win, Fox Searchlight is planning to push it out to over 1,000 theaters this weekend.
It’s an unconventional move — especially considering the fact that the film will be available on DVD starting Tuesday — but there could be a market still hoping for the theatrical experience now that the Academy has anointed the film the best of the year (in addition to its wins for Best Supporting Actress and Best Screenplay). READ FULL STORY
Shoulda trusted the coin.
About two weeks ago, sitting in the office of EW assistant managing editor Sean Smith, we were discussing EW’s official Oscar predictions and mulling the reaction I was getting from many voters: Gravity was taking the lead in the tightest Best Picture race in years, and those who favored 12 Years a Slave seemed soft in their support.
For months, ever since the historical drama premiered at the Toronto film festival, it was at the top of my predictions list — a crushing, emotionally resonant film that addressed how we perceive and treat those who appear to be different from ourselves. But it was also an uncompromising film, full of brutality that was often difficult to watch, and we all know the Academy Awards have compromised a lot in the past.
So I switched our pick toward Gravity, which was garnering a groundswell of support in other categories, and seemed to be the popular, more accessible favorite. The graphics people were alerted to make a last-minute adjustment, and I stayed with that through the final round of guessing. It was close enough to give me a stomachache. (Believe it or not, the predictions truly are made based on our best assessment of voters. There’s no advocacy or favoritism. The cold, hard pragmatism of wanting to be right guides those choices.)
The call was made: Gravity it would be, by a hair. But then I flipped a quarter, and Sean called it: Tails, it would be 12 Years a Slave.
Again — shoulda trusted the coin. READ FULL STORY
Cate Blanchett was named Best Actress at the Oscars earlier tonight for her performance in Blue Jasmine. She beat Amy Adams, Sandra Bullock, Judi Dench, and Meryl Streep.
“Thank you, Mr. Day-Lewis,” Blanchett said to Daniel Day-Lewis who presented the award to her. “From you, it exacerbates this honor and blows it right out of the ballpark. “
In her speech, Blanchett also touched on the need for more films starring women. “[To the people who think] films with women at the center are niche. They are not….In fact, they earn money. The world is round, people!” Blanchett also thanked Blue Jasmine director Woody Allen.
Blanchett won an Oscar once before, for her performance in The Aviator.
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