Tag: The Hobbit (1-10 of 96)

Apr 5 2013 02:45 PM ET

Peter Jackson and others weigh in on Hollywood's F/X crisis

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Visual effects artists routinely work miracles onscreen, helping Hollywood generate billions of dollars every year at the box office. Still, the VFX industry is now in a state of crisis. In the past seven months, two leading F/X houses, Digital Domain and Rhythm & Hues, have gone into bankruptcy, and several other companies have had to lay off workers. “Right now it’s near rock bottom,” says Peter Oberdorfer, a former VFX artist who now runs a digital-technology consulting firm. “The pressure is building to a point where it could get volatile for everybody involved.”

In this week’s issue of Entertainment Weekly, The Hobbit director Peter Jackson, a digital effects pioneer who co-founded the F/X company Weta Digital, says studios are taking advantage of an oversupply of F/X houses to drive down prices. “Competition between VFX houses, which the studios obviously use to their advantage, has resulted in VFX houses operating on tiny profit margins,” Jackson says. “And when we talk ‘profit,’ it’s not about the owners buying a Porsche at the end of a big movie — it’s about having a nest egg to ride out the slow periods.” READ FULL STORY »

Feb 28 2013 09:23 PM ET

'The Hobbit: There and Back Again' release date pushed back

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Image Credit: Warner Bros.

The third and final film in Peter Jackson’s Hobbit trilogy will not be getting a summer release as previously planned. Warner Bros. has changed The Hobbit: There and Back Again‘s release date from July 18, 2014 to Dec. 17, 2014, EW has confirmed. Deadline first reported the news.

This means an epic showdown between two geektastic movies has been effectively canceled. The release date change gets The Hobbit: There and Back Again out of the way of X-Men: Days of Future Past and also brings it back to the time when all of Jackson’s other J.R.R. Tolkien adaptations have been released: mid-December, just in time for Christmas.

There and Back Again will follow The Hobbit: The Desolation of Smaug, which is set for Dec. 13, 2013.

Read more:
Box office report: ‘The Hobbit’ breaks December record with $84.8 million weekend
‘Hobbit’: The story behind Neil Finn’s dwarvish end credits tune, ‘Song of the Lonely Mountain’
First look at ‘The Hobbit: The Desolation of Smaug’ — EXCLUSIVE PHOTO

Feb 13 2013 08:52 AM ET

'The Hobbit': Weta's ongoing quest for the digital face of the future

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The Hobbit: An Unexpected Journey is a tale of two risky quests. The first quest is the one on the screen, which sends Bilbo Baggins (Martin Freeman), Thorin Oakenshield (Richard Armitage), and 12 compact compatriots off toward Lonely Mountain. The second is the filmmaking odyssey for the cast and crew led by director Peter Jackson, who won fame and glory in Middle-earth with the Lord of the Rings trilogy but found a different combination of challenges in adapting this earlier Tolkien epic.

A key figure in Jackson’s odyssey is senior visual effects supervisor Joe Letteri, the director of Weta Digital and a four-time Oscar winner (Avatar, King Kong, and the second and third Lord of the Rings films) who may add a fifth thanks to his latest Middle-earth nomination (which he shares with Eric Saindon, David Clayton and R. Christopher White). EW caught up with Letteri to talk about the changing face of digital effects and its unexpected journey toward the spiritual center of acting craft. Also, check out a new sizzle reel of The Hobbit, a film that racked up $956 million in worldwide box office, which among Tolkien adaptations bows only to Return of the King, the 2003 finale of the first trilogy that took in  $1.1 billion and won the Oscar for Best Picture.

ENTERTAINMENT WEEKLY: The first Lord of the Rings film opened a little more than 11 years ago but it’s amazing how far digital effects have leaped in that span. For you, when you look back at your path, what do you see that’s unexpected?
JOE LETTERI:
The nature of it, the true nature of the work. We’re just in the early days of understanding what facial expression means of how people relate to each other. I know people focus on the technology, like the motion capture, but really when you look at a lot of this and you try to tease out what the meaning is, you figure out that it comes down to trying to understand expression and the way people relate to each other. That’s drama, that’s the heart of what actors do. We work with actors to distill that and to bring it to these new characters. With Hobbit we had a chance to do it with six characters with speaking lines — there was over 20 minutes of dialogue for these characters. READ FULL STORY »

Jan 11 2013 02:44 PM ET

Peter Jackson on the tragic loss of two colleagues -- EXCLUSIVE

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Image Credit: Clockwise from top left: Visual effects producer Eileen Moran 2/28/10; Peter Jackson 12/7/12; Michael Hopkins 3/23/03

Director Peter Jackson (The Hobbit: An Unexpected Journey) and his WETA Digital team suffered the loss of two esteemed colleagues last month: VFX producer Eileen Moran, 60, who died of cancer on Dec. 2, and sound editor Mike Hopkins, 53, who was killed in a rafting accident on Dec. 30. In honor of their contributions to films like The Lord of the Rings trilogy and King Kong, Jackson emailed EW these memories of his departed friends. READ FULL STORY »

Jan 7 2013 09:03 AM ET

Benedict Cumberbatch on playing a villain: Will 'Star Trek' feel his wrath?

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Image Credit: Keizo Mori/Landov

They share the face and the brandy-hued baritone, but you could never mistake Sherlock star Benedict Cumberbatch for the prickly savant of the BBC’s Baker Street — not only is the actor relentlessly polite he’s also never clubbed a cadaver in the name of scientific inquiry. The sleuth may have shined through for a moment last summer though when Cumberbatch showed a Holmesian impatience for unanswered questions and state secrets. “It’s achingly irritating,” Cumberbatch said when asked about the secrecy surrounding his role in this May’s Star Trek Into Darkness. “Believe me, I’d rather talk about the role and the fantastic story and all the things J.J. [Abrams] has come up with. And then everyone would be as excited about the film as I am. But then of course I think I would be on a phone call coming from J.J.’s office…” READ FULL STORY »

Jan 5 2013 12:45 PM ET

Box office update: 'Texas Chainsaw 3D' slashes up bloody good $10.2 million on Friday

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Image Credit: Justin Lubin

Nearly 40 years after the original Texas Chainsaw Massacre entered theaters, Leatherface is back once again for a new reboot/sequel called Texas Chainsaw 3D, which buzzed down the competition on Friday. Texas Chainsaw 3D scored a robust $10.2 million in its first day (well, technically that gross includes Thursday night shows), which easily put it in first place. Like almost all horror movies, though, Texas Chainsaw 3D, which earned a weak “C+” CinemaScore grade, will likely prove remarkably frontloaded over the course of its debut weekend, and it may finish the frame with about $22-23 million, making this the second year in a row — following The Devil Inside‘s $33.7 million bow last January — that a horror movie has kicked off the new year in first place. READ FULL STORY »

Dec 30 2012 02:21 PM ET

Box office report: 'The Hobbit' outdraws 'Django' and 'Les Mis' with $32.9 million

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Despite the arrival of two holiday heavyweights, The Hobbit: An Unexpected Journey retained the top spot at the box office for the third weekend in a row.

Warner Bros.’ $250 million fantasy prequel was held out of the top spot from Tuesday until Thursday by Les Miserables, but over the traditional weekend frame Hobbit dipped only 11 percent to bring in $32.9 million, and its domestic total now stands tall at $222.7 million. After 17 days, The Hobbit is performing well ahead of 2001′s The Fellowship of the Ring, which had earned $189.3 million at the same point in its run (though that number climbs to about $260 million after accounting for inflation), but it still trails the 17-day cumes of The Two Towers ($243.6 million), and The Return of the King ($272.8 million). Notably, those films did not have 3D or IMAX surcharges boosting their totals. READ FULL STORY »

Dec 29 2012 03:38 PM ET

Box office update: 'The Hobbit' journeys back to No. 1; 'Django' and 'Les Mis' stay strong

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Snowstorms in the northeast may be limiting moviegoing attendance this weekend, but inclement weather won’t stop Bilbo Baggins and Gandalf from ringing in the New Year in style.

The Hobbit: An Unexpected Journey returned to the top of the box office on Friday, crossing the $200 million mark in the process. The $250 million Warner Bros. release grossed an estimated $10.7 million on Friday, putting it on pace for a $31 million weekend, which would bring its total to about $221 million and lift its worldwide cume past $600 million. READ FULL STORY »

Dec 27 2012 11:31 AM ET

Fandango sets new sales record on Christmas Day

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Even more proof that Christmas Day was far from misérable at the box office: Fandango reports that Tuesday was its best-ever single day for ticket sales, breaking a record set when The Avengers opened on May 4.

“Our record-breaking sales point to a tremendous variety of holiday film choices that are connecting with audiences,” Fandango president Paul Yanover said in a statement. A glance at the online broker’s top Christmas Day sellers shows the truth of his words — between box office champ Les Misérables, Django Unchained, The Hobbit: An Unexpected Journey, Parental Guidance, and This Is 40, audiences had a wide range of genres to choose between.

Les Mis opened to $18.2 million on Tuesday, giving it the second-best Christmas opening in history. Django Unchained saw similarly big numbers, raking in $15 million total; The Hobbit came in third place with $11.3 million.

Read more:
‘Les Miserables’: The EW Exit Poll!
Natalie Portman, Kristen Stewart top Forbes list of most bankable stars
Box office update: ‘Les Miserables’ wins Christmas day with huge $18.2 million

Dec 23 2012 02:20 PM ET

Box Office Report: 'The Hobbit' holds number one spot, 'Jack Reacher' and 'This is 40' disappoint

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It was a fairly slow weekend at the box office.

Despite a record-breaking opening, The Hobbit: An Unexpected Journey experienced a significant 57% drop off in its second week, bringing in an estimated $36.7 million, with an $8,952 per screen average. This brings The Hobbit’s ten-day gross to $149.9 million, tracking about 8% behind The Lord of the Rings: The Return of the King’s ten-day gross.

Paramount’s Jack Reacher (Cinema Score: A-) opened this past weekend in second place with a modest $15.6 million. Based on the popular Lee Child-created character, the Tom Cruise action flick has been somewhat of a box office wild card and will have to struggle to maintain momentum to make up the costs for the $60 million production. The weekend prior to the Christmas holiday isn’t usually the strongest at the box office, but last year Cruise’s Mission: Impossible – Ghost Protocol opened wide on December 21 at $29.6 million. As many have already mentioned, Jack Reacher fans are perhaps put off by the casting, since the character is supposed to be physically imposing at 6’5″.

Judd Apatow’s comedy This is 40 (Cinema Score: B-) also opened this weekend at $12 million to take third place. Though not abysmal, it doesn’t hold a candle to the $22.7 million, number one opening for Funny People, Apatow’s last directorial effort. But of course, Funny People starred Adam Sandler, which likely contributed to the strong opening. A sort of-sequel to Knocked Up (which opened at $30.7 million), This is 40 stars Paul Rudd, Leslie Mann, and Albert Brooks, and boasts an impressively large cast including John Lithgow, Jason Segel, Chris O’Dowd, Megan Fox, Michael Ian Black, and Lena Dunham. But the 134-minute run time and Paul Rudd’s relatively low box office draw may have contributed to the low first weekend earnings.

Things did not fare as well for other weekend openings, including the Barbara Streisand and Seth Rogen road trip comedy The Guilt Trip (Cinema Score: B-) and Monsters, Inc. 3D, both of which failed to break the top five, bringing in $5.4 million and $5 million, respectively.

READ FULL STORY »

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